Showing posts with label Gregory Peck. Show all posts
Showing posts with label Gregory Peck. Show all posts

Wednesday, April 9, 2008

Gentleman's Agreement (1947)

Confession: I rented the movie for this:

It turns out, though, that this is a really interesting movie, highly deserving of four stars.

Gregory Peck plays a newspaper reporter named Philip Green who moves to New York with his mother and his son in order to take a new job. When his new boss asks him to take on a series of articles about anti-semitism, Green spends days debating whether or not he should take the assignment and wondering how on earth he can approach the subject in a new way that will have an impact on people. He is inspired to keep trying to find an angle by Kathy Lacy (niece of the editor of the paper with whom he is instantly smitten) and by his mom. Ultimately, Green decides to take advantage of his newness to the city and his Jewish-sounding last name and to start telling everyone that he is Jewish so that he can write about anti-semitism first-hand.

Green's first taste of anti-semitism comes very quickly after he adopts his new identity. When he tells Kathy that he is going to tell everyone he's Jewish, her face sinks, and she says something along the lines of, "But you're not really, are you?" She spends a lot of the movie wanting to tell people that Green is just pretending, so that no one really gets the wrong idea.

Green encounters everything from discrimination at work to being denied a hotel room. The movie really targeted the more subtle forms of bigotry as well, though. There was a lot about the role of the bystander in helping anti-semitism along. Green wants Kathy to help a Jewish friend of his (played by John Garfield) get a home in Darien, CT, where Kathy's sister lives, but Kathy refuses, not wanting to upset the community. It's just the way things are, she keeps telling Green. We know there's nothing wrong with being Jewish, but your friend would not be treated well there. At one point, Green's son gets called names for being Jewish. When Kathy tries to comfort him by telling him, "But it isn't true, you're no more Jewish than I am," Green becomes furious with her. He tries to explain to her that the name calling is what is wrong and what she should be fighting against. He tells her that by comforting his son in the way that she did, she confirms that there is something bad about being Jewish.

My friend Yvonne and I, while happy with Kathy's eventual realization that she needed to take an active role against bigotry, wished that Green would end up with the smart and passionate fashion editor at the paper, played by Celeste Holm. Celeste Holm, by the way, won an oscar for her role in this movie:


A sad note is that in later years, many of the people involved with this film were eventually called before the House Un-American Activities Committee.

A more frivolous note is that I accidentally ended up with this movie on Purim. I found watching a movie about anti-semitism to be the most fitting way I've found so far to celebrate Purim (in addition to eating hamantashen). My opinions on the book of Esther belong in a different blog.

Saturday, November 17, 2007

Spellbound (1945)

Four stars for the movie and 13 stars for Gregory Peck's face in this movie



I think that this is a great mystery, and I do not want to give away anything that would ruin the suspense, so I'm not going to give very much of a plot summary. When the movie begins, Dr. Constance Petersen (Ingrid Bergman) is a psychoanalyst at Green Manor. We first meet her while she's working with a patient who declares, "I hate men! I loathe them! If one of them so much as touches me, I want to sink my teeth into his hand and bite him!" Be ready for more quotes, because I loved the dialogue in this movie!

Dr. Petersen is a calm and brilliant thinker, but her smarmy colleague tells her that her "lack of human and emotional experience" is bad for her as a doctor. Touching her is "rather like embracing a textbook...[although she's] a sweet, adorable, and pulsing woman underneath." This all changes, though, when Gregory Peck's character arrives to take over as the new head of the facility, and of course Dr. Petersen falls in love...



I loved the movie, but it definitely had some interesting things to say about women (even beyond the above quotes!):
"The poor girl's withering away for science."
"Do not complete the sentence with the usual female contradictions."
"woman doublespeak"...
"We both know that a woman in love is operating on the lowest level of intellect."

I can forgive the above for the exciting plot and Gregory Peck's face. Also for...
Tips and Lessons learned:
*Next time an unwanted guy gets too close: "Would you mind not sitting in my lap?"
*Next time a friend is catastrophizing or I need to talk myself out of catastrophizing: "That's a delusion you've acquired out of illness."
*Next time I am trying to figure anything out: Remember every detail of my dreams, even if they are not Salvador Dali dream sequences like the one in the movie.
*Next time I am trying to hide from someone: Put on my glasses! Dr. Petersen is able to hide just like Clark Kent!
*Next time I am tempted to fall in love with my psychoanalyst: Do not! It gets messy!

And I must mention that 1945 Gregory Peck and I would be perfect for each other. When Dr. Petersen tells him where she's hoping to put a pool on the Green Manor grounds, he very seriously tells her, "I'm a great believer in swimming pools." I love swimming pools.

And because I love quotes, just a few more:

"There's nothing nicer than a new marriage. No psychosis yet... I wish you to have babies and not phobias."

"Will you love me just as much when I'm normal?"
"Oh, I'll be insane about you!"