Showing posts with label Washington D.C.. Show all posts
Showing posts with label Washington D.C.. Show all posts

Friday, December 10, 2010

Mr. Smith Goes to Washington (1939)

Inspired by a real-live almost filibuster (Bernie Sanders, December 10, 2010), David and I sat down to watch Mr. Smith Goes to Washington.
Jessica: So, what do you like about filibusters?
David: Well, I don't like faux filibusters, where it is used a procedural measure to block a vote without anyone actually having to get up and talk. Now a real filibuster, where one person or a group of people engage in a marathon of talking to draw attention to an issue they see as important, that has some appeal. As the announcer in Mr Smith says, free speech at its finest. That's kind of cool.

Jessica: What do you like about Mr. Smith Goes to Washington?
David: It's the classic David and Goliath story. An everyman against a political machine. And we all know Jimmy Stewart is great at playing the everyman. Also, it appeals to the vision of America as a country of ideas where the pen really is mightier than the sword or the pocket book.

Jessica: Tell us a little about Mr. Smith's cause.
David: Jefferson Smith is the head of the boy rangers, an organization clearly based upon the boy scouts. He would like to build a national boys' camp in his home state to be payed for in nickels and pennies sent in by boys all over the country. Unfortunately for Mr. Smith, the site where he would like to build the boys' camp is also the site of a proposed dam. The construction of this dam has been snuck into a bill by Jeff's fellow senator as graft. This of course means that Jeff starts asking inconvenient questions.

Jessica: What is your favorite part of Mr. Smith's filibuster?
David: When the page brings him a note from Saunders (Jean Arthur). I'm a sap. Just wait for it.

Jessica:
May we watch many more political movies together.
David: I suggest The American President, although it's not a classic by the terms of this blog.

Four stars... would watch again.

Wednesday, February 13, 2008

Houseboat (1958)

This is kind of like "Parent Trap" meets "Swiss Family Robinson" or something...


Cary Grant plays a successful businessman - or is he a diplomat? I forget - oh he's a lawyer - whose estranged wife is killed suddenly before they are officially divorced. The wife's parents and sister expect to take his three children and keep them on the family farm, but the CG impulsively decides he will take them to live with him.

However, he hasn't been a hands-on parent in a long time and he quickly loses track of his impish son. Cue Sophia Loren, the bored daughter of a famous conductor who is being wined and dined in Washington while her father conducts the symphony. She sneaks out to go slumming a la Audrey H. in Roman Holiday, really.

Along the way, she picks up the runaway boy with a kind word and then can't shake him. Finally she takes him home, but they've both become so disheveled that his father assumes she is a maid. Treats her quite rudely. Soon he has a change of heart and decides to hire her as a nanny.

All this leaves us with...no house boat. The house boat is the result of a very silly side plot but the whole story unfolds pretty amusingly. There is even a boy chasing Sophia and the sister of the dead wife chasing Cary to add to the fun.

The odd, precocious young children and the absurdity of a stunning, accomplished young woman (Sophia Loren!) chasing after an older man with three kids are outweighed by the sheer silly charm of the scenes.

Also, there are a few songs. The catchiest song became my anthem this spring when I watched the movie - it's about living life with a Bim Bom Bam and it's as nonsensical and pleasant as the whole darn film.

Three Stars, will watch again.

Side note: Cary Grant had been married to Betsy Drake for nine years at the time of the filming (I put Deborah Kerr the first time I posted this but I was tragically WRONG thanks Barbara for figuring it out!). But he had a terrible crush on Sophia Loren and insisted that she be cast in this movie (did they invent the traveling composer father to explain why she was foreign?). Unfortunately for him, Sophia was already involved with Carlo Ponti, the Italian filmmaker, to whom she became engaged during the course of filming. Apparently this made for a rather tense time on the set once it was announced. OMG just found out that Betsy Drake wrote the original script which was then re-written to accommodate Sophia AWK-ward.