Song of the Thin Man (1947)

But first, a Thin Man marathon...

9:50 - The Thin Man

"a manhattan, you shake to a foxtrot..."

"Waiter, will you serve the nuts... I mean, will you serve the guests the nuts."

11:45- After the Thin Man

"Nick-oh-laas!"

*a long walk to a coffee shop and back...*

3:00 - Another Thin Man

"I wish my old lady were bats that way."

Asta acrobatics!

5:04 - Shadow of the Thin Man

"Daddy, drink milk!"

"But Daddy doesn't like milk."

7:09 - The Thin Man Goes Home

"Why did he herd us into the room like this?"

"...this is the way he always works."

and the finale... 9:04 - Song of the Thin Man

I waited so long to finish this series of films. I think I was worried I would be sad when there were no more "new" Thin Man movies left to see. (And maybe a little worried that I would be disappointed in the later films.) Not sad, though, because I am perfectly happy re-watching. Not disappointed, either. The Asta actors do more cutesy tricks in each film, now there is a child to provide occasional silly kid quotes, and maybe there's less drinking, but Nick and Nora are still Nick and Nora. And Nora even gets to participate more in this mystery. Nick doesn't shove her in any falsely directed cabs or lock her in any rooms to prevent her from helping. Good for him. So, while the first film is definitely my favorite, I will still give this movie three stars, and I'm sure I will see it again sometime. Not sure there will ever be another marathon, though.

It's a Wonderful Life (1946)

"I wish I had a million dollars... Hot dog!"

"Buffalo gals won't you come out tonight..."

"She lights up like a firefly whenever you're around."

"A toast! A toast! A toast to Mama Dollar and to Papa Dollar, and if you want to keep this old Building and Loan in business, you better have a family real quick."

"George Bailey lassos stork!"
"What're'ya... You mean you're... What is it, a boy or a girl?"
"Mmmm-hmmm!"

"...and are the local yokels making with those David and Goliath jokes..."

"Well, you look about the kind of angel I'd get. Sort of a fallen angel, aren't you? What happened to your wings?"

"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"

"Merry Christmas, movie house! Merry Christmas, Emporium! Merry Christmas, you wonderful old Building and Loan!"

"Teacher says, every time a bell rings an angel gets his wings."

"Remember, George: no man is a failure who has friends."

...and of course the original Ernie and Bert. Four stars. Whether I see it next December or not, of course I will see it again.

(Yes, I know the pictures aren't all from the same scene as the quote... It's hard to find exactly what you want out there...)

Oklahoma (1955)

Until you have seen a troupe of tap-dancing men in chaps, you haven't seen anything - no I take that back - until you have seen an interpretive-ballet gunfight, you haven't seen anything.


I knew almost all the songs from Oklahoma, thanks to my best friend and, well, the whole world. But up till today, I'd never seen the movie. My good friends gave me a Rodgers and Hammerstein collection for my birthday, so I figured it was high time I watched it.



At first I thought that this movie seemed so gay because the song "I'm Just A Girl Who Cain't Say No" seems made for a drag queen to sing. Until the next song...which also seemed so camp it was asking to be remade in drag. That's when it dawned on me: I had seen this movie before - or parts of it. One night in a gay bar, between two pieces of fascinating hard-core gay porn, was this even more fascinating mash-up of electronic dance music and the ballet numbers from Oklahoma. And it's instantly recognizable as Oklahoma - cause what other cowboy musical is there?

Initially, we thought the DVD player was broken, because the volume was turned down and it seemed stuck on a title card. But once we turned the volume up it turned out that the first five minutes of the movie is a title card that says "Oklahoma Overture". This is followed by five minutes of credits and a long slow tracking shot through a cornfield. Obviously they wanted to pay homage to the theatrical score. Also, during intermission, there is a title card that says "Oklahoma Entre' Acte" useful if you need to pee and can't find the pause button on your DVD player's remote. Finally at the end is a card reading "Oklahoma Exit Music" so you have a score as you walk off to bed.















If that is not enough to bore you, there are also two or three very long interpretive ballets. In one of them, the two main characters are replaced by dancers who stand in for them as they act out the entire plot. At this point you could
a) opt to watch only the ballet-within-a-play and skip the rest of the movie
b) skip the ballet because you'd like to watch the rest of the movie
c) skip the ballet and the rest of the movie

I would not recommend option a unless you are a fan of pantomime. A BIG fan. The only reason I would recommend b over c is the closing number, Oklahoma! gives me chills. It is just an awesome musical number. One of the best of all time, I'll wager.

Other than that, there are some fun moments, outrageous costumes, the great character Annie - unprecedented as far as I have seen - a stubbornly silly girl who stubbornly stands up for her right to sleep around.



I like the female lead, but the male lead is one of those full-grown men playing a young man that never seems quite right. Also the leads have a habit of singing "graahnd" as if they were brought up in Boston and then singing "I keer" in a bastardization of an Oklahoma accent. It's awkward, if not outright offensive.

I did enjoy the movie, but less than I had expected, based on the music.

Two stars, one for the costumes, one for the title number.