It's a Wonderful World (1939)

Turner Classic Movies is really a wonderful thing... So many movies not available on Netflix or from the library... Like this one with Jimmy Stewart. Stewart is detective Guy Johnson, arrested for hiding a client who has been framed for murder. While in a train en route to prison, Johnson notices a newspaper ad that may just be the clue he needs to lead him to the real killer. Johnson's dramatic escape from the train is witnessed by poetess Edwina Corday, played by Claudette Colbert. The rest of the movie is one crazy hijink after another.

There is the kidnapping of the poetess,

The handcuffing of the poetess to himself,

The poetess's realization that Johnson is not a dangerous escaped convict, but a noble detective trying to save his client from death row... a realization that leads to many misguided attempts to help him,

And a stolen disguise.
Apparently Claudette Colbert was unhappy with the bickering road trip similarities between this movie and It Happened One Night, but I didn't mind. Three stars just for reminding me that Jimmy Stewart can be good in laugh-out-loud comedy. I would be happy to see this again. "I swear by my eyes."

The Big Sleep (1946)

Connie: "You're not very tall, are you?"
Marlowe: "Well, I try to be."

And so it begins... I love this movie. I could watch it over and over just for its great lines. As for the plot: When Detective Marlowe (Bogart) is called in to help a very wealthy man try to solve some of his messed up daughter's (the above Connie's) gambling problems, Marlowe becomes involved with deeper intrigue. And with Connie's sister Vivian (Lauren Bacall). Enter more great dialogue.
This movie has everything a great detective film should have, from a long and winding cast of characters who are never quite what they claim to be to a mysterious and sarcastic leading lady. I'm not sure I can say anything else about it without giving away plot twists!
"You begin to interest me, vaguely."
Four stars.

Gentlemen Prefer Blondes (1953)

Life is grand... Dorothy (Jane Russell) and Lorelei (Marilyn Monroe) are off to Paris, and who happens to be on their ocean liner? The US Olympic team! Dorothy gets to cavort with the Olympians (there is even a gymnastics dance), while Lorelei says goodbye to her trusting fiance who will be staying at home.
Hilarity ensues as Lorelei becomes rather friendly with a rich old owner of a diamond mine (he gives her his wife's prized diamond tiara!), and Dorothy becomes smitten with a private detective hired by the father of Lorelei's fiance to track her every move.
The women have to become very crafty in order to evade jealous fiances, angry wives, incriminating rolls of film, and French prison sentences. "I can be smart when it's important, but most people don't like it." Doesn't that sound just like a Marilyn Monroe line?

Such a fun movie.

"Diamonds Are a Girl's Best Friend"

So yay! Four stars! Would watch again!

The Maltese Falcon (1941)

Sam Spade (Humphrey Bogart) accepts a case from a beautiful lady, Brigid O'Shaughnessy (Mary Astor), who says that her sister has run away with a dangerous man. She wants the man trailed and her sister back. When Spade's partner tails the man through the city, he is shot and killed. To complicate matters, the man he was trailing is killed just shortly after, and the police are trying to implicate Spade in the murders.

Spade then goes about trying to find out what the lovely Brigid O'Shaughnessy knows about the events that have unfurled and what she was really after when she asked him to tail a man. While wanting Spade's help to reach her true purpose, O'Shaughnessy has no intention of actually telling Spade all that she knows. She can spin a good lie and is used to being able to manipulate the men in her life. She is no match for the brilliantly sardonic Spade, however.

Brigid O'Shaughnessy: Help me.
Sam Spade: You won't need much of anybody's help. You're good. Chiefly your eyes, I think, and that throb you get in your voice when you say things like, "Be generous, Mr. Spade."

As Spade gets deeper and deeper in to the case he comes across a large cast of characters, including a wonderful criminal played by Peter Lorre, all in search of a valuable statue...the Maltese Falcon. I think that one of my favorite scenes may actually have been the scene where Peter Lorre's character shows up to try to search Spade's office.

No more plot, because it's more fun to feel surprised in a movie like this. Four stars, mostly for Humphrey Bogart and his excellent delivery of funny dialogue. Will see again.

Nancy Drew: Detective / Nancy Drew: Reporter (1938)

Gee, Gosh, was Nancy Drew really this ditzy? Not in the books. In fact, my friend Yvonne, who remembers the books quite well, was especially upset while watching Bonita Granville's pouty, ditzy performance.

In Nancy Drew: Detective, Nancy tries to find a missing rich lady who has disappeared right before donating a large sum of money to Nancy's prep school for girls. The search involves following a carrier pigeon by car, taking aerial photographs to find the kidnappers' house, and watching her friend turn an old x-ray machine into a radio transmitter to call for help. In Nancy Drew: Reporter, Nancy is disappointed in her assignment for a contest at the local paper and steals a real reporter's assignment. She finds herself trying to investigate a murder in order to clear the name of a framed woman. Nancy solves all of these crimes with the help of her reluctant "friend" Ted Nickerson (why the movie people changed his name from Ned is beyond me). She bosses him around, gets him in trouble, makes him dress up as a lady... he whines a lot and stumbles clumsily over things.

The world according to Nancy Drew:
"I think every intelligent woman should have a career."
"That conceited tweet-tweet!"
"Quit disturbing the molecules!"
"You hooligans!"
"I guess it's just my woman's intuition. Every woman has one, you know."
"Well statistics prove from ages 15-20 a woman is mentally 5 years older than a man of the same age."
"Guess my woman's intuition didn't function this time."

But, however ditzy she appeared to be in these movies, Nancy did get the job done. Two stars, and I really don't feel like checking out the rest of the series. My curiosity has been satisfied.

The Thin Man (1934)

Up until this week, Jess and I had no idea that Myrna Loy was decapitated. As a 16-year-old high school student in Venice, CA, Loy posed for a student-made statue representing the "Spiritual." Her statue was flanked by "Mental" and "Physical." The statue was eventually surrounded by a tall white fence to protect it from graffiti. Most recently it was seen headless, lying in a scrap pile behind the school. Now it is gone and the only way to see it is to watch for a glimpse of it in the movie "Grease," filmed at Venice High. Watch the screen around Danny when he meets back up with his friends after the summer. Sigh.

We went to see a screening of The Thin Man at the Hollywood Forever Cemetery in Hollywood sitting on a picnic blanket with palm trees in the background.

We don't know where to begin with this movie - it represents all the reasons to love classic movies: the costumes are awesome - remarkable without being laughable - all the details and style of another era plus the elegance that we miss these days. Jess wants this dress:

The writing is awesome: witty and quick and dry and calculated to keep the plot moving so that even though the movie is only an hour and a half long, the plot is quite complicated and intriguing.

There are great characters, and plenty of them, and the bit players are every bit as good as the leading actors.

The mystery is great and the clues are dropped in a satisfying way, creating suspense and leaving you lots of room to speculate without giving away the guilty party until the last minute.

Two things that this movie has, though, make it stand out above even other great classic films in its genre: the chemistry between Nick and Nora Charles (William Powell and Myrna Loy) who play a canny, irreverent, affectionate couple who are as likely to elbow each other as they are to embrace and are constantly ribbing each other - and the antics of Asta, their adorable, clever and comical terrier.

Four stars, of course, from each of us. That means eight total. We will both be seeing this movie again.

The Thin Man Goes Home (1944)

Thin Man number five, and I am still giving the movie four stars. Although, I just read that this Asta is not the original Asta, and that is making me a little bit sad. This Asta is just as good of an actor as the original, though. He even has a happy dance for when things are going well.



So, in this movie Nick and Nora go off to visit Nick's parents. Nick is prepared for a restful vacation, but of course there is a new murder to solve. Nora is thrilled about the case, hoping that this will be Nick's chance to finally show his dad that he is a great detective and has chosen the right career. Nick being Nick, he works on the case while pretending not to work on the case, driving Nora so crazy she eventually tries to take it on herself.



I think that one of my favorite scenes is near the end of the movie when Nick and Nora attend some kind of charity auction at a hotel. Nick wants to go do some sleuthing, so he hands Nora off to a poor sailor without a dance partner who immediately starts jitterbugging with her. He throws her up in the air, swirls her around on the floor...

Also, the bonus to being at Nick's childhood home, is that when the final scene comes around with all the suspects gathered together in one room, Nick's mom is there to make them "cocoa to calm the nerves."

Only one more movie in the set (unless you count the William Powell and Myrna Loy documentaries). I guess I'll have to start re-watching soon...

Shadow of the Thin Man (1941)

Three stars...will have to watch again to figure out what was going on!

I have definitely learned my lesson that it is not a good idea to do other things while watching a Thin Man movie. Everyone talks too much and too quickly, and there are just too many characters to keep track of. So, unfortunately, I got a little confused until I finally gave up on the birthday present I was making for my friend's son.

Things I did notice:

Nora's hats! Despite the fact that everyone at the wrestling match Nick and Nora attended laughed and told Nora her hat was screwy, I love her hats. She wears so many great ones in this movie.

Fast motion effects! Was fast motion used in all the movies to try to make Asta's movements funnier? The culmination of the fast motion use was when poor Asta got stuck in a revolving door and kept going around and around really really quickly.

Toddler leashes! It is apparently not a new thing to parade your toddler around on a leash. The movie begins with Nick leading Nick Jr. leading Asta through the park.

A very young Donna Reed!

I did answer some of my questions from the previous Thin Man, too. Nick Jr. has not started to drink yet. In fact, he may be a good influence on his dad. "Drink milk!" he declares. Even though Nick protests, "But I can't drink milk now. I'm a big boy. I wear long pants and go out with girls," Nora makes him obey his son so that they can drink milk together. And yes, Nick does always seem to work by gathering up all the suspects and waiting for someone to slip up.

I must not do other things while watching Thin Man movies.

Rear Window (1954)

Okay, Anastasia, I watched it. It wasn't that scary! You didn't explain that it was all about a man who seems to have already killed his wife! I thought I was going to spend the whole movie worrying that he was going to kill his wife. But when I watched it last weekend I was only worried that people were going to think Jimmy Stewart was an idiot!

Who knew I cared so much about Jimmy Stewart?

Here is what I love about this movie:

1. The set and the shot that pans across it!

In one long shot you see tons of these little scenes in people's windows! Genius!

2. Grace Kelly's outfits

Mandy Moore is quoted in this month's issue of "Lucky" magazine saying she would like to recreate every one of these outfits - I'm all for it! I was all for this after "Lady in the Lake"! Let's do it, Mandy!

3. A good mystery
There's no picture of clues leading to a conclusion, but it's fun to put clues together...who doesn't like clues?

4. Movie-based-on-a-play
I know this had to have been based on a play - how do I know it? There are four total characters and all the foreground action takes place in one room and all the other action is described in the dialogue - it's a play! Good plays make great movies because the dialog and the characters and the plot have to be strong because there is no music, no scenery, no movie stars, no close-ups and no fast cuts to take your mind off of the script.

Five stars. Will definitely watch again.
In other words, you were right, Anastasia - and Margo. Both of you were right.
Damn it.

After The Thin Man (1936)

Many many stars...will watch it many more times along with the first movie...am buying the Thin Man box set!

Ever since rewatching the first Thin Man movie this summer, I have been so excited to see more of the series. I was not disappointed. After the Thin Man picks up right where the first movie left off with Nick and Nora on a train to San Francisco. As they prepare to pull into the station Nora asks, "Are you packing?" to which Nick responds, "Yes, dear, I'm putting away this liquor."

They arrive home ready to sleep for a week and recover from their detective work in New York, only to be dropped right into the middle of a new mystery. Nora's cousin's husband has been missing for three days... Is he dead? Is he with another woman? What does young Jimmy Stewart have to do with all of this? Does Nora ever get her middle-of-the-night scrambled eggs? Asta even gets his own storyline in this movie involving Mrs. Asta and a lot of puppies.



I laughed through the whole movie. Now I just have to wait for Another Thin Man to arrive from the library...

Lady in the Lake (1946)

A Phillip Marlowe detective mystery before Humphrey Bogart became the Phillip Marlowe of the screen.

I read this book a while ago and it was really good...you get a real sense of place from it which is interesting because none of the movies made from Raymond Chandler's novels seem to happen anywhere - they happen in Anytown, Anywhere.

This adaptation has Phillip introducing himself to us and to the story for FOUR LONG MINUTES at the beginning of the movie - this is something a test screening would have done away with if they had existed in 1946. Phillip explains that you will see the story as he sees it. This seems unexciting until the movie itself rolls and you realize that the characters are all talking to the camera and reacting to the camera like it's Marlowe. We are not going to see Phillip Marlowe in action because you are going to be Phillip Marlowe.

Maybe the purpose of this movie is just to prove how great the Big Sleep is? The plot is hard to follow and makes little sense - but that's true in the Big Sleep, too, and I never cared. In fact, until I saw the deleted scene and understood what the missing information was, it had never bothered me that for half the movie I had no idea what lead Phillip Marlowe was following or what he was figuring out. I was just thrilled to watch Bogey and Bacall in love.

The leading lady's lipstick outlines her lips in an exaggerated way that I can't stand. Lauren Bacall's lips need no exaggeration to wow me.



The list of things I can't stand about this movie is long: the scenes are waaay to slow and full of silly little comedy moments by bit players that could have be cut. At one point an injured Marlowe crawls to a phone booth: we watch him as his hands drag him along the ground slowly toward the phone booth. If this were a key moment or suspense, it would be Hitchcock-esque - but it's not. He gets to the phone booth and makes a call and then passes out. End scene.

Also, Phillip Marlowe seems to like making mean comments to women and, more irritatingly, he insists on referring to women as "females" - as in: "do me a favor and get me everything you can on a female named Mildred Havilland." Ugh.

The acting is pretty lame, but the costumes are great. There is a suit that the femme fatale wears in the second scene which had me thinking about how I could manufacture new clothing from patterns of old movie costumes.

Big Brown Eyes (1936)

My *current favorite* - four stars!
Will definitely watch again!

This may be the only romantic comedy I've ever seen in which a baby is shot. Yes, the baby is shot by the villain's henchman, and yes, the happy couple spends the rest of the movie tracking him down and bringing him to justice. But still, you have to imagine how today's studio executive would have treated this script. I imagine the meeting in his office the day after he reads the script.
"In act two, a baby is shot?"
"It drives the plot!"
"A baby! Gets shot!"
"But it gives the story a moral depth..."
"Moral Schmoral, why can't we kill a bum - or a really fat guy? Nobody minds seeing an ugly person get shot!"
"But you see then it wouldn't be something the reporter could sensationalize!"
"You can sensationalize a bum!"
"How do you sensationalize a bum? A bum's not sentimental!"
"You're the writer, that's your job! You can make a bum sentimental if I tell you to!"

But I digress. This is my new favorite movie so I must tell you why! Cary Grant impersonates a woman flirting with himself (he's an amateur ventriloquist). Manicurists wear uniforms with little bows on them. The dialogue is faster than a machine gun. The women are smart and sassy and the men are big lugs who do their bidding without being aware of how easily they are played.

Can you see how all this adds up to a movie in which a baby being shot seems kind of irrelevant?

Benny: And me as honest as the day is long.
Eve: Yeah, but how 'bout the nights?
Benny: The nights too! I'm the soul of honesty.
Eve: You sure you don't mean 'the heel?'