Showing posts with label costumes. Show all posts
Showing posts with label costumes. Show all posts

Wednesday, October 27, 2010

Alice in Wonderland (1933)

It is a good thing that the 1933 "live action" movie of Alice in Wonderland opens with paired photographs of the characters and the actors who play them. With all of those masks, how would we ever find Cary Grant, Gary Cooper, and the others?

This is a movie to watch. If you love Alice in Wonderland, watch it. If you are entertained by your favorite actors doing unusual things, watch it. I fall into both categories, and I will admit to watching it mostly for Cary Grant. I am still a far way off from my goal of seeing all of his films.

In this adaptation, Alice takes a nap on a snowy day and wakes up to climb through a looking glass into Looking Glass Land, where we get to see so much perfect Alice:

*Alice is declared to be a volcano when she picks up some chess pieces to move them in an attempt to be helpful.
*"Goodbye dear feet."
*A terrific conversation with Caterpillar, Ed Sparks
*Edward Everett Horton (who I am coming to know as one of my favorite character actors) as the Mad Hatter:
*And Gary Cooper as a charming White Knight, possibly my favorite character (and Alice's) in this adaptation

*And the reason for my watching this movie: "Or shall the mock turtle sing?"
Oh, please!

Four stars for a great story (of course), fun costumes, and actors who seem to be enjoying themselves in their silly costumes. I hope to see this again.

On a side note, I've been thinking a lot about Cary Grant singing. His characters sometimes sing in the shower (Mr. Blandings, Charade, North by Northwest)... now he sings a very silly song as the Mock Turtle in Alice in Wonderland. Aside from Kiss and Make Up, is his singing always meant to be comedic? Then I found this while searching for Alice photos:
Cary Grant sings FCC Regulations ("Dinosaur Gardens" blog, 2006) Oh, fun!

Thursday, August 13, 2009

The Greatest Show on Earth (1952)

Tivo's description of this movie says "Action Adventure (1952) Betty Hutton, Charlton Heston, Cornel Wilde, Dorothy Lamour. A high-wire artist, the girlfriend of a circus manager, falls for a French aerialist." How it failed to mention Jimmy Stewart as a bad clown named Buttons who just happens to have learned enough about medicine in the Navy to save the circus manager's life at a key moment in the film is beyond me!
Let me repeat this slowly:
Jimmy Stewart.
In clown costume for the entire movie.
Playing Buttons the bad clown.
Who is secretly a surgeon.

There you have it, the reason to watch the movie, right there, nothing more required...but there is quite a lot more that is offered.

Oh what else? It's a musical. It's a big schmaltzy expensive costume musical with live animals and costumes that would shame Las Vegas showgirls. And this is what TCM describes as "Action Adventure"? (I happen to know that the program information on Tivo is usually supplied by the network....)



Okay, okay, all the music is diegetic, they sing as part of the circus, sing to cheer themselves up or to advertise the show - no-one sings a story or a monologue or a line that could have been spoken - but still - a coordinated number with dancing girls swinging from pineapple-bedecked ropes is quite, quite good.

By the way, that number would be, according to the ringmaster: 'The luscious Phyllis dances and sings to the sultry strains of Lovely Luawana Lady!" (Dorothy Lamour plays Phyllis)

Because Hawaii was only recently made a state we had to humiliate it, right? Like some kind of national hazing ritual?

On the more modern tip, the lyric "they don't pack that wicky whack" could easily be sampled for a hip-hop track - Diddy is probably all over it already.

WHAT is not to love about a circus movie? It allows people to say lines like
"You've got sawdust in your veins" and
"The only thing about you I'm interested in is your elephants" and
"When I kiss you, I need to have my feet planted firmly on the ground"
and while we're quoting favorite lines:
"I've never run from a fight" "and I've never lost one"
"What does a girl have to say to make a blind man see"
"Be careful of that halo, sister, it's phony, it'll slip and you'll be wearing it around your neck"
"Don't believe everything you hear, it's only half of what you see."
"Is that a professional opinion?" "That's a clown's opinion!"

The plot is thick - there's a rival circus named the Columbia, a crooked carnival games mobster, a jealous showgirl rival of the "high=wire artist" (who also does trapeze, by the way, so I'm not sure why she's a "high-wire artist" in the description). There is a german elephant-trainer who is in love with the showgirl rival, there is the crazy french aerialist who is completely obnoxious and deserves to fall and break his stupid arm.

Then of course there is a clown with a dark secret and a cute little dog (possibly named Squeaker?).

The aerialist tries a trick without a net to show off for the high-wire artist and ends up falling. The high-wire artist falls in love with his derring-do and leaves the poor hard-working sullen Charlton Heston - I've never liked him in anything but the aerialist is so arrogant and obnoxious it really makes it easy to love him. After this the movie goes on for another hour - the plot twists and twists again - the rival goes for the dumped circus manager, the high-wire artists chases the aerialist, a detective comes looking for the clown - and on and on...ending with a train crash in which a leopard escapes making me decide that this movie is the other side of the "Bringing Up Baby" story - remember the escaped leopard? It's dangerous? It escapes from a train that is crashed? This could be that leopard! I choose to see it that way.

They must have shot a lot of the crowd scenes in a hangar on the lot because the crowd has some stars in it (I spotted Bob Hope at one point) and I'm sure some executives if I knew who to look for. They must've hired some circus people to do the acts and filmed those, but they also used a LOT of green screen. A LOT. It's pretty entertaining to speculate on why - I mean the effects shots are obvious - but in one scene there are just a bunch of people packing stuff up in the background - they couldn't shoot that? Or they just forgot and had to pick it up as an insert shot?

Once in a great while a movie comes along that is so bad it becomes good again - one might even call it a Great Bad Movie. This is might just be the Greatest Bad Movie on Earth...maybe.
Three stars, would positively watch again. Probably going to do so right now.

Thursday, July 17, 2008

Invaders from Mars (1953)

Here is a movie that terrified my Dad as a little boy. I wish I had known that before I called him up afterwards and said something along the lines of, "That was one of the funniest movies I've ever seen! What was with the aliens with the zip-up fur?"

At the beginning of the movie, our young hero David sees something land in the hills behind his house. When his dad returns from investigating, it is clear to David that something is wrong. His dad has become grumpy! One by one, adults in the film go up the hill, get sucked into the ground by the aliens that have landed there, and return grumpy, brainwashed, and controlled, ready to do the aliens' bidding. There is also one poor little girl who gets used by the aliens, with a tragic twist. After burning down her own house, her little brain explodes. Apparently when the aliens no longer need you, they pop your brain. David, no longer able to trust his parents, must find new, un-brainwashed adults who believe his story and can help him to fight against the alien invaders, who are of course here to take over the Earth.

One of my favorite moments in the movie was watching the zipped up teletubby-like aliens lumber through underground caves after our heroes. Was I supposed to be worried? Oh, and the head alien...

How could you not love an evil, rubber, many-legged head suspended in a glass globe? Especially if this creature can control its teletubby minions with only the power of its mind?

Sorry Dad, one star, but this movie is definitely worth seeing. And I can definitely make myself see how this could have been a scary movie to a seven-year old in the fifties.

Sunday, October 14, 2007

Rear Window (1954)

Okay, Anastasia, I watched it. It wasn't that scary! You didn't explain that it was all about a man who seems to have already killed his wife! I thought I was going to spend the whole movie worrying that he was going to kill his wife. But when I watched it last weekend I was only worried that people were going to think Jimmy Stewart was an idiot!

Who knew I cared so much about Jimmy Stewart?

Here is what I love about this movie:

1. The set and the shot that pans across it!

In one long shot you see tons of these little scenes in people's windows! Genius!

2. Grace Kelly's outfits

Mandy Moore is quoted in this month's issue of "Lucky" magazine saying she would like to recreate every one of these outfits - I'm all for it! I was all for this after "Lady in the Lake"! Let's do it, Mandy!

3. A good mystery
There's no picture of clues leading to a conclusion, but it's fun to put clues together...who doesn't like clues?

4. Movie-based-on-a-play
I know this had to have been based on a play - how do I know it? There are four total characters and all the foreground action takes place in one room and all the other action is described in the dialogue - it's a play! Good plays make great movies because the dialog and the characters and the plot have to be strong because there is no music, no scenery, no movie stars, no close-ups and no fast cuts to take your mind off of the script.

Five stars. Will definitely watch again.
In other words, you were right, Anastasia - and Margo. Both of you were right.
Damn it.