My Man Godfrey (1936)

Eccentric rich people can be very funny. Especially if one of them is played by Carole Lombard, who is wonderful at appearing effortlessly nutty in a variety of situations. In this situation, Lombard plays Irene Bullock, one of two Bullock sisters in a family in which each member is insanely eccentric in their own special way. Irene is an expert at throwing fits, sobbing, fainting, and overdramatizing. She is very good at getting her way, even if it takes drawing out her fits over months. Irene's sister Cornelia is more sinisterly eccentric. She is good at making biting comments and scheming up ways to destroy the lives of others. Mrs. Bullock is just dotty. She sees pixies when she's hung over, and she keeps a protege named Carlo, who spends his days eating the family's food and pretending to practice his music. He also can do an intensely accurate gorilla impression to try to cheer up Irene when she's having a fit. Mr. Bullock, the apparent long-suffereing man in a family of loopy women, is only slightly less eccentric than the rest of his family. His eccentricity seems to be that he is incapable of keeping the rest of his family in check. Enter into this crazy family the dignified butler Godfrey (William Powell), and you have My Man Godfrey.

Of course even Godfrey has his eccentricities, though. Before becoming the butler for the Bullocks, he was a living in a New York City dump. How did he end up working for the Bullocks? He was picked up in a scavenger hunt. Mrs. Bullock earned points by finding a goat... Irene Bullock managed to get the catch of the evening, a "forgotten man." After Godfrey helps Irene win the scavenger hunt, she impulsively hires him as the family's new butler, and he enters their crazy home...

...Irene falls almost immediately in love: "Oh, you're more than a butler. You're the first protege I've ever had."

...Mr. Bullock loses all semblance of control over the family finances: "Why should the government get more money than your own flesh and blood?"

...Cornelia seethes over the fact that Godfrey did not help her in the scavenger hunt and plots revenge: "Godfrey knows I'm not being personal, but after all, none of us would like to wake up some morning stabbed to death."

...and Mrs. Bullock demonstrates her crazy thinking about the world: "[Godfrey's] the first thing [Irene's] shown any affection for since her Pomeranian died last summer."

Godfrey calmly goes with the flow, intervening only when Irene is a little too amorous:

G: "Hasn't anyone every told you about certain proprieties?"

I: "Oh you use such lovely big words. I like big words. What does it mean?"

G: "Well, I'll try to simplify it. Hasn't your mother ever explained to you that some things are proper and some things are not?"

I: "No she hasn't. She rambles on quite a bit, but then she never says anything.

I would watch this again. Three stars. One for Carole Lombard, who is always entertaining, one for making me laugh even when there were holes in the plot, and one for William Powell's Godfrey, who is keeping an eccentric secret of his own.

Life With Father (1947)

About 20 mintues into the movie, Clarence (William Powell) storms into an agency that hires out maids demanding, "Where do you keep 'em?" You see, just a few minutes earlier Clarence had scared away the most recent maid in a long line of scared maids. The woman manning the agency desk tries to prevent Clarence from rushing into the room with the maids. When she fails, and he picks which maid he wants, the woman explains that she needs to know the character of the house to which the maid will be going before she can allow her to go anywhere with him. The reply: "Madam, I am the character of my home!" And here we have the main source of comedy and conflict in the movie. Clarence is a character.

It is currently somewhere between 90 and 100 degrees outside and probably close to that in my apartment. I cannot think. I can barely move. I needed a funny movie to distract me. Unfortunately, this movie did not distract me. There is perhaps a reason I had not heard of it before I found it in Netflix's instant watch list. Many jokes were made, but they were often just too corny to laugh at. Two masters of witty dialogue and comic timing wasted.

Once Elizabeth Taylor, as a wide-eyed, bonnet-wearing young maiden, started asking Clarence Jr. if he believes in girls going to college, I decided never mind the temperature, I needed to at least be knitting so I could handle the rest of the movie. Then, during the whole to-do about how Elizabeth Taylor's character is a Methodist and the members of Clarence's family are Episcopalian and the ensuing drama about the discovery that Clarence was never actually baptized as a child, I started to pay more attention to my knitting than to the movie. But then I started to think, if only this movie ends with William Powell in a long frilly white gown getting baptized, maybe I will laugh.

To be fair, though, I did chuckle a few times throughout the movie:

*"You know your father doesn't like electricity!" (There were a lot of things Father (Clarence) didn't like, from kneeling in church to rubber plants.)

*"Do you ever play duets?"

"No, not till now."

"Neither have I, not till now." (Was this exchange between Elizabeth Taylor and Clarence Jr. meant to be funny? I'm really not sure.)

*Clarence discussing his pew and its falling property values with the minister and his wondering when it might be best to unload it.

*Clarence Jr. believing he is possessed by his father's old suit and not being able to do anything his father wouldn't do while he wears it. Elizabeth Taylor cannot sit on his lap, because it would be like she is sitting on Father's pants.

I cannot forget William Powell in this movie after puzzling over his bright red Technicolor hair for almost two hours, but from this moment on, I will do my best to forget Irene Dunn's part as his wife. In other words, one star, and I don't plan to see this again. I need a funny and GOOD movie!

Song of the Thin Man (1947)

But first, a Thin Man marathon...

9:50 - The Thin Man

"a manhattan, you shake to a foxtrot..."

"Waiter, will you serve the nuts... I mean, will you serve the guests the nuts."

11:45- After the Thin Man

"Nick-oh-laas!"

*a long walk to a coffee shop and back...*

3:00 - Another Thin Man

"I wish my old lady were bats that way."

Asta acrobatics!

5:04 - Shadow of the Thin Man

"Daddy, drink milk!"

"But Daddy doesn't like milk."

7:09 - The Thin Man Goes Home

"Why did he herd us into the room like this?"

"...this is the way he always works."

and the finale... 9:04 - Song of the Thin Man

I waited so long to finish this series of films. I think I was worried I would be sad when there were no more "new" Thin Man movies left to see. (And maybe a little worried that I would be disappointed in the later films.) Not sad, though, because I am perfectly happy re-watching. Not disappointed, either. The Asta actors do more cutesy tricks in each film, now there is a child to provide occasional silly kid quotes, and maybe there's less drinking, but Nick and Nora are still Nick and Nora. And Nora even gets to participate more in this mystery. Nick doesn't shove her in any falsely directed cabs or lock her in any rooms to prevent her from helping. Good for him. So, while the first film is definitely my favorite, I will still give this movie three stars, and I'm sure I will see it again sometime. Not sure there will ever be another marathon, though.

How to Marry a Millionaire (1953)

So, here is my very naive question: Is there a movie in which Marilyn Monroe does not play a ditz? Yes, yes, I'm supposed to know things like this. I just haven't seen very many of her movies. Only Some Like It Hot and Bus Stop (Amy, do you remember Bus Stop?). Oh, and that little moment of a part in All About Eve. This time, Marilyn plays a ditz with glasses who has to take her glasses off any time there is a chance of being seen by men. "You know what they say about girls who wear glasses." Sadly, this causes her to bump into things frequently and get even more confused than she is with the glasses on.

Three models, Schatze (Lauren Bacall), Pola (Monroe), and Loco (Betty Grable) move into a luxury condo in order to meet and catch millionaires to marry. Unfortunately for them, the rent is much too steep and they are forced to keep pawning their rented furniture. Schatze, having been married and cheated before, is adamant that the girls not waste any time on men without a fortune. Men like the ones Loco keeps bringing home.

One of Loco's unacceptable finds, Tom Brookman, falls for Schatze, but she only has eyes for the rich Texan widower J.D. Hanley (William Powell). Little does Schatze know that Brookman is in fact a millionaire. But while Brookman goes to great lengths to court Schatze (even booking the three girls to model clothes for him in a store!), he is careful not to let Schatze know about his wealth lest she pick him based on that. While Schatze chases after Hanley, who is afraid that she would be wasting her life to marry an old man, her friends go off and find the loves of their lives: men with no money! I will not give away the hilarious circumstances under which they find their loves. Her friends' happiness eventually causes Schatze to re-think her obsession with rich men, with terrible timing for the poor Mr. Hanley.

Three stars, and I would definitely see this again. Now, if I only I could write a new ending for William Powell's character.

Love Crazy (1941)

William Powell and Myrna Loy.  What do you think I will rate this movie?

Susan and Steve Ireland are celebrating their fourth anniversary in a wonderfully witty Loy and Powell way.  Instead of exactly re-enacting their first date the way that they usually do on their anniversary, Steve suggests that they re-enact the date backwards.  Unfortunately, they are interrupted almost immediately by the arrival of Susan's mother, and hilarity ensues.  


Steve gets stuck in an elevator with an old flame who lives a floor down, Susan's mother trips on the ugly anniversary present she has bought them, Susan has to run her mother's urgent pick-up errand, and a cooped up Steve ditches his mother-in-law to catch up with the old flame. All of this leads to divorce proceedings and Steve's increasingly drastic attempts to keep Susan from divorcing him over a misunderstanding. Oh William Powell, are you ever bad in a comedy?
Four stars.  I would watch this again.  I'm looking into non-Thin Man Loy&Powell box sets...

Mr. Peabody and the Mermaid (1948)

What a silly movie.  Mr. Peabody (William Powell) hears, goes searching for, and then fishes from the sea (dare I say kidnaps?) a young mermaid.  The mermaid is of course completely content to swim around in Mr. Peabody's fancy goldfish pond, just as long as he will kiss her every once in a while.  Did I mention there is a somewhat suspecting but also confused by the particulars Mrs. Peabody?

There is water-spitting, lying, swimming, a psychiatrist... 

One star for the moment in the film when a woman who desperately wants to win Mr. Peabody's attention goes swimming in the fish pond and has an underwater fight with the mermaid.  But that's all.  Go rent I Married a Witch.

Libeled Lady (1936)

Jean Harlow is my new favorite actress. She is the original blonde bombshell. I suppose that Marilyn Munroe did have more vulnerability, but I like Harlow for being the tough broad that she is, always a step ahead of the man, ready to head him off at the pass.

In real life she and William Powell were lovers and went to the Academy Awards together along with Clark Gable and Carole Lombard who was Powell's ex. It all sounds very free and 30s Hollywood.
I love Powell and Myrna Loy, so it's fun to find out who he personally was drawn to and see him play opposite her and Myrna in the same movie. In this movie he's the charming ex-newspaper man who is hired to seduce the heiress who is suing a newspaper for a false story.


In order to make his affair with ML a scandal, he has to be married to JH. It's quite entertaining, and I still don't know how it ends, which is good, but I'm really getting aggravated with Powell.


...

Okay, I finished watching - it was one of those comedies that keep you aggravated till the last second when of course it all works out. I know some people find those the best, but I felt aggravated on behalf of Spencer Tracy's character and Jean Harlow's character even AFTER they were all living happily ever after.

Well worth watching, some very fun, funny moments, but can't give it more than two stars and I WON'T watch it again.

It's also interesting to note that William Powell plays the same calm, wry, somewhat smug character out-witting everyone to his own advantage in these movies that he does in the Thin Man, but it's so much less sympathetic when he's outwitting people who you actually can care about like ST and JH's characters here.

The Thin Man (1934)

Up until this week, Jess and I had no idea that Myrna Loy was decapitated. As a 16-year-old high school student in Venice, CA, Loy posed for a student-made statue representing the "Spiritual." Her statue was flanked by "Mental" and "Physical." The statue was eventually surrounded by a tall white fence to protect it from graffiti. Most recently it was seen headless, lying in a scrap pile behind the school. Now it is gone and the only way to see it is to watch for a glimpse of it in the movie "Grease," filmed at Venice High. Watch the screen around Danny when he meets back up with his friends after the summer. Sigh.

We went to see a screening of The Thin Man at the Hollywood Forever Cemetery in Hollywood sitting on a picnic blanket with palm trees in the background.

We don't know where to begin with this movie - it represents all the reasons to love classic movies: the costumes are awesome - remarkable without being laughable - all the details and style of another era plus the elegance that we miss these days. Jess wants this dress:

The writing is awesome: witty and quick and dry and calculated to keep the plot moving so that even though the movie is only an hour and a half long, the plot is quite complicated and intriguing.

There are great characters, and plenty of them, and the bit players are every bit as good as the leading actors.

The mystery is great and the clues are dropped in a satisfying way, creating suspense and leaving you lots of room to speculate without giving away the guilty party until the last minute.

Two things that this movie has, though, make it stand out above even other great classic films in its genre: the chemistry between Nick and Nora Charles (William Powell and Myrna Loy) who play a canny, irreverent, affectionate couple who are as likely to elbow each other as they are to embrace and are constantly ribbing each other - and the antics of Asta, their adorable, clever and comical terrier.

Four stars, of course, from each of us. That means eight total. We will both be seeing this movie again.

I Love You Again (1940)

I had to see this... One of the movies where Myrna Loy and William Powell are together, but not as Nick and Nora. Luckily I really liked it... four stars...



When the movie starts, Larry (Powell) is almost the opposite of Nick. His drink of choice is ginger ale with grape juice (some kind of warped Shirley Temple?). He's so stuffy that he walks around saying things like, "You're inebriated," and people laugh about him and call him "Mr. Grape Juice." Near the beginning of the movie Larry falls off a cruise ship trying to rescue a drowning man and gets conked on the head with an oar. When he wakes up, he has no memory of being Larry and of the last nine years of his life. It turns out he is really a swindler named George who got amnesia when he was knocked in the head in a fight nine years ago. He immediately starts to scheme with the rescued-from-drowning crook about ways to steal money from the town where Larry has been living. Things get more complicated when George steps off of the ship to find that Larry has a wife, Kay (Loy). He is torn between getting right to work on his plot and pursuing Kay, who is about to divorce him for being too boring and stuffy. Of course now that Larry is really George, he has a whole new personality, realizes he is hopelessly in love with Kay and cannot let her go, and much hilarity ensues.

My favorite scene might be when George/Larry gets Kay to dance with him by dancing alone in a crowded restaurant until she goes to get him. You can see it at: http://youtube.com/watch?v=cAjn16uT7ZA

There are just too many good lines in this movie. Myrna Loy and William Powell play off of each other just as well as in the Thin Man movies.



It makes me want to see some of their other non-Nick and Nora movies, even though I still have the final Thin Man waiting to be watched.

The Thin Man Goes Home (1944)

Thin Man number five, and I am still giving the movie four stars. Although, I just read that this Asta is not the original Asta, and that is making me a little bit sad. This Asta is just as good of an actor as the original, though. He even has a happy dance for when things are going well.



So, in this movie Nick and Nora go off to visit Nick's parents. Nick is prepared for a restful vacation, but of course there is a new murder to solve. Nora is thrilled about the case, hoping that this will be Nick's chance to finally show his dad that he is a great detective and has chosen the right career. Nick being Nick, he works on the case while pretending not to work on the case, driving Nora so crazy she eventually tries to take it on herself.



I think that one of my favorite scenes is near the end of the movie when Nick and Nora attend some kind of charity auction at a hotel. Nick wants to go do some sleuthing, so he hands Nora off to a poor sailor without a dance partner who immediately starts jitterbugging with her. He throws her up in the air, swirls her around on the floor...

Also, the bonus to being at Nick's childhood home, is that when the final scene comes around with all the suspects gathered together in one room, Nick's mom is there to make them "cocoa to calm the nerves."

Only one more movie in the set (unless you count the William Powell and Myrna Loy documentaries). I guess I'll have to start re-watching soon...

Shadow of the Thin Man (1941)

Three stars...will have to watch again to figure out what was going on!

I have definitely learned my lesson that it is not a good idea to do other things while watching a Thin Man movie. Everyone talks too much and too quickly, and there are just too many characters to keep track of. So, unfortunately, I got a little confused until I finally gave up on the birthday present I was making for my friend's son.

Things I did notice:

Nora's hats! Despite the fact that everyone at the wrestling match Nick and Nora attended laughed and told Nora her hat was screwy, I love her hats. She wears so many great ones in this movie.

Fast motion effects! Was fast motion used in all the movies to try to make Asta's movements funnier? The culmination of the fast motion use was when poor Asta got stuck in a revolving door and kept going around and around really really quickly.

Toddler leashes! It is apparently not a new thing to parade your toddler around on a leash. The movie begins with Nick leading Nick Jr. leading Asta through the park.

A very young Donna Reed!

I did answer some of my questions from the previous Thin Man, too. Nick Jr. has not started to drink yet. In fact, he may be a good influence on his dad. "Drink milk!" he declares. Even though Nick protests, "But I can't drink milk now. I'm a big boy. I wear long pants and go out with girls," Nora makes him obey his son so that they can drink milk together. And yes, Nick does always seem to work by gathering up all the suspects and waiting for someone to slip up.

I must not do other things while watching Thin Man movies.

Another Thin Man (1939)

Asta does tricks! I had to rewind a few times to watch. He gets so excited that he does a full backflip. The backflip alone earns this movie at least four stars. Plus, one of my little first graders had just written a story about her dog Canada who she claims can do a flip, so I got to tell my student I watched a movie that made me think of her story. So Asta's backflip made a first grader very happy, too. And now, as the owner of a Thin Man box set, I can watch this movie as many times as I want. Will I ever review a movie I don't like?



Anyways, this Thin Man movie finds Nick and Nora with a baby, Nick Jr. So of course baby humor becomes an important part of the plot, mixed in with the new murders. Imagine all the cute and zany things one can do with a movie baby, especially when the baby's father knows a lot of crooks. Some of Nick's crook friends even throw a baby party for the Charles family...hilarity ensues (am I allowed to use that phrase, too?)

Mostly, ignoring the plots of the different movies, I just continue to love Nick and Nora and their witty dialogue.

I'm left wondering a few things, though, after this movie: As the series goes on, will the movies really remain good? (Although, Amy, you seem to have seen the later ones and liked them...so maybe I shouldn't be worried.) Will Nick Jr. help solve any crimes? Will Nick Jr. and Asta have to take up drinking? And, do all the Thin Man movies need a scene in which all of the characters are forced to get together so that Nick can work his brilliance in front of them all? I need to keep watching and find out.

After The Thin Man (1936)

Many many stars...will watch it many more times along with the first movie...am buying the Thin Man box set!

Ever since rewatching the first Thin Man movie this summer, I have been so excited to see more of the series. I was not disappointed. After the Thin Man picks up right where the first movie left off with Nick and Nora on a train to San Francisco. As they prepare to pull into the station Nora asks, "Are you packing?" to which Nick responds, "Yes, dear, I'm putting away this liquor."

They arrive home ready to sleep for a week and recover from their detective work in New York, only to be dropped right into the middle of a new mystery. Nora's cousin's husband has been missing for three days... Is he dead? Is he with another woman? What does young Jimmy Stewart have to do with all of this? Does Nora ever get her middle-of-the-night scrambled eggs? Asta even gets his own storyline in this movie involving Mrs. Asta and a lot of puppies.



I laughed through the whole movie. Now I just have to wait for Another Thin Man to arrive from the library...