Mame (1958)

Few things to note right off the bat:
- this version is not the musical
- this is going in my top ten - or at least my top fifteen



Rosalind Russell plays Mame, the flamboyant single aunt into whose care Patrick Dennis is deposited after his father's death. Mame knows how to redecorate her large New York City home; Mame knows how to throw a party; Mame knows how to dress (the costumes in this one are a real treat), but what does Mame know about raising a child?

It turns out that Mame's frank manner and doting affection more than make up for her lack of experience. In a series of scenes from Patrick's life, we see him pulled between the staunchly conservative influence of the trustee of his father's estate "Uncle Dwight" and the flaming liberal influence of Mame.

It's a fun and funny series of incidents with lots of colorful characters and one very cute kid. I also loved the funky decor which almost functioned as an extra character. There are two long-suffering servant characters - a Chinese butler/valet and an Irish maid who are ridiculously and endearingly loyal. How they resisted making them sillier and more offensive I'll never know, but they aren't bad.




I am very fond of zany Aunt Mame and her antics. Four stars and I definitely plan to watch again.

Robin and the Seven Hoods (1964)

Frank Sinatra, singing mobsters, Robin hood references... a perfect movie for me, or so I thought. I just can't give this movie more than one star, and I'm not sure I could ever sit through it again. I could definitely sit down with David and make him watch the silliest songs with me:

*The boardroom "one for all" song about how great it is to be a mobster, in which we realize that Guy Gisborne is played by Peter Falk, and that Peter Falk can't sing

*The song about playing pool: when Little John (Dean Martin) runs the table and joins Robbo's (Frank Sinatra's) gang
*Will Scarlet's (Sammy Davis, Jr.'s) song about how much he loves the sound of gun shuts... sung as he and Robbo's gang shoot up Guy Gisborne's gambling den (Barbara: "Tap dancing combined with shooting is just really weird.")

*The song about how bad a dresser Allen A. Dale (Bing Crosby) is, sung by Sinatra, Martin, and Crosby, as Crosby keeps jumping in the walk-in closet to put on funny clothes

*The song about how wonderful Robbo is for giving money to the home for orphaned boys... sung by... Bing Crosby and a troupe of orphans wearing hats like these ladies:

*The song about the evils of "Mr. Booze," sung in order to throw the police off the trail of the hidden gambling/drinking den

*And last but not least, the song sung by Sinatra, Sammy Davis, Jr., and Dean Martin dressed in Santa costumes when they have to go into hiding for their connections to a money laundering operation

There was one redeeming feature that made me laugh with and not at the movie: Occasionally the mobsters disappeared someone by putting their dead body in a cornerstone of a new building. This led to funny scenes at building dedications. But, why was this movie made? Has anyone else seen it?

Paper Moon (1973)

We watched this at the Hollywood Forever Cemetary on Saturday. The surprise guest was Tatum O'Neal. I was really very cool of her to come out, and we mean her no disrespect, but we have to remain honest as reviewers, even though we know Tatum may read this...



Don't look so shocked, Tatum!

Me: What do you want to say about Paper Moon?
Jess: Oh my gosh. Well...
Me: Was it as boring as I made you think it was?
Jess: No it wasn't as boring, I did wonder how long it was going to be sometimes, but it wasn't as boring. I guess there was a lot more comedy than I was imagining.
Me: What did you think of Tatum O'Neal?
Jess: She was good at glowering. The real Tatum O'Neal was there.
Me: Did that add to your experience?
Jess: No.
David: Except that when we were clapping at the end, you felt that there was really someone there to clap for.
Jess: Yeah, I had probably forgotten about her by then. The problem is, I don't really know who she is.
Me: Did it pull at your heartstrings?
Jess: Excuse me? No, was it supposed to? It didn't really pull at my heartstrings because it all seemed so over the top. I wasn't really concerned about the little motherless girl.
Me: What about you, David?
D: I'm not really part of the blog.
J: You can comment. Did it pull at your heartstrings?
D: No, there was no pulling. I laughed.
J: I definitely laughed, that was the thing, I wasn't really concerned, it was just what silly things will they do next.
Me: Were there any parts that you thought were particularly funny?
J: I thought it was kind of funny when she was sitting up on the hill and the dancer-lady had to go and talk to her and they came to an understanding.
Me: I'm giving it two stars.
J: That's fine with me, I thought it was funny but I didn't love it.

Two stars, will not watch again.
Sorry, Tatum.



Awww, don't look so sad! You've still got the Oscar.
*******************************************************************************************************************************
J: For the record, I did not dislike this movie as much as Amy's posting makes it sound that I do. I found it really entertaining and funny. I was tired, and didn't know that my responses to the questions that were being fired at me were being typed up into a posting. That being said, I would see this movie again.

Here Comes the Groom (1951)

I almost missed out on blogging this one!

After the war, a war correspondent exasperates his fiance by staying in France, trying to convince families back home in America to adopt war orphans. She sends him a sort of a Dear John letter bemoaning all the children she should have if they had been married when they should have.

This gives him an idea to surprise her with an orphan.

In the first half hour of the film, the most memorable moment comes when a young orphan girl sings Caro Nome. They just let her sing the whole thing without interruption, and it's beautiful. It doesn't necessarily make some greater point in the movie, but it's moving, and it's something that would never happen in a modern movie, I'm sure. It doesn't feel like a moment too long.

The comedy picks up when you get back to America with Bing, orphans in tow, and learn that our girl back home has left him and it is the eve of her marriage to a blue-blooded millionaire.



Of course that doesn't discourage Bing - the hijinks that follow are partly about the clash of cultures when the humble daughter of a fisherman marries into a family of high breeding. It's more of a send-up of the wealthy than of the working class, but it does play both ways.

In the middle of it all is Bing, using wrestling to loosen up the upper class and bring them down to his level.

This movie is darling and wonderful. Four stars, will definitely watch again!