Thank Your Lucky Stars (1943)

Browsing in the library and picking up an un-heard of movie... is it a good idea? Not really.

This movie has a lot of big names... most of them play themselves. Despite the fact that the synopsis on the box claimed there was a plot, it took a good 20 minutes before I believed there was one, because I just kept hearing the stars' names in the movie. And nothing was happening. Eddie Cantor (himself) hosts a radio variety show. Edward Everett Horton (not himself) and friend hear Dinah Shore (herself) sing on the show and decide that they must have her for their upcoming star-studded production. Sadly for them, Dinah comes along with allowing Cantor to be on the board, and Cantor has really annoying ideas.

Most of the plot comes from a wanna-be singer who ends up with a contract to sing on Cantor's show, without Cantor's permission. Excited wanna-be singer meets an annoying wanna-be songwriter woman, and the two of them, along with a "homes of the stars" tour guide, stalk Cantor as he throws them out of his sets multiple times. The tour guide, by the way, is played by Eddie Cantor. Much of this might have been at least a little funnier had the name Eddie Cantor meant anything to me before this movie. There is some hilarity (insane asylum, elephant...), but mostly there is just a really boring movie with some awful dialogue and musical acts.

Low points: Bette Davis's (as herself) number in the musical production and Olivia deHavilland's (as herself) number

High point: Errol Flynn's (as himself) musical number... "Oh that voice is so divine... I'm sorry it isn't mine"

Was this movie fun for the people in it? Was it entertaining when it came out? One star, and I really don't want to see this again.

Gentleman's Agreement (1947)

Confession: I rented the movie for this:

It turns out, though, that this is a really interesting movie, highly deserving of four stars.

Gregory Peck plays a newspaper reporter named Philip Green who moves to New York with his mother and his son in order to take a new job. When his new boss asks him to take on a series of articles about anti-semitism, Green spends days debating whether or not he should take the assignment and wondering how on earth he can approach the subject in a new way that will have an impact on people. He is inspired to keep trying to find an angle by Kathy Lacy (niece of the editor of the paper with whom he is instantly smitten) and by his mom. Ultimately, Green decides to take advantage of his newness to the city and his Jewish-sounding last name and to start telling everyone that he is Jewish so that he can write about anti-semitism first-hand.

Green's first taste of anti-semitism comes very quickly after he adopts his new identity. When he tells Kathy that he is going to tell everyone he's Jewish, her face sinks, and she says something along the lines of, "But you're not really, are you?" She spends a lot of the movie wanting to tell people that Green is just pretending, so that no one really gets the wrong idea.

Green encounters everything from discrimination at work to being denied a hotel room. The movie really targeted the more subtle forms of bigotry as well, though. There was a lot about the role of the bystander in helping anti-semitism along. Green wants Kathy to help a Jewish friend of his (played by John Garfield) get a home in Darien, CT, where Kathy's sister lives, but Kathy refuses, not wanting to upset the community. It's just the way things are, she keeps telling Green. We know there's nothing wrong with being Jewish, but your friend would not be treated well there. At one point, Green's son gets called names for being Jewish. When Kathy tries to comfort him by telling him, "But it isn't true, you're no more Jewish than I am," Green becomes furious with her. He tries to explain to her that the name calling is what is wrong and what she should be fighting against. He tells her that by comforting his son in the way that she did, she confirms that there is something bad about being Jewish.

My friend Yvonne and I, while happy with Kathy's eventual realization that she needed to take an active role against bigotry, wished that Green would end up with the smart and passionate fashion editor at the paper, played by Celeste Holm. Celeste Holm, by the way, won an oscar for her role in this movie:


A sad note is that in later years, many of the people involved with this film were eventually called before the House Un-American Activities Committee.

A more frivolous note is that I accidentally ended up with this movie on Purim. I found watching a movie about anti-semitism to be the most fitting way I've found so far to celebrate Purim (in addition to eating hamantashen). My opinions on the book of Esther belong in a different blog.