Born to Be Bad (1934)

A must-see in the quest to see all attainable Cary Grant movies.  Not a must-see in a quest to enjoy classic movies.

Unwed mother raises son in bookshop owned by kind old man.  Now lives on own.  Raising son to take care of himself in a tough, tough world... to steal, lie, wreak havoc, perpetrate fraud.

Son is unharmed while rollerskating into Cary Grant's character's truck!  Cary Grant's character is rich?  Pretend son is terribly injured.  Lawsuit!

Plan backfires!  Mother declared unfit!  Son taken away!  Cary Grant and wife try to do right by "injured boy."  Have him stay at their lavish home.  Oops, boy's mother arrives to stay and attempts to take Cary Grant for herself.  Cary Grant is momentarily a slut.

Silly one star (zero star?) movie that I don't plan to see again.  In search of a good Cary Grant movie that I have not yet seen...

I'm No Angel (1933)

Well that was confusing... It is definitely a one star movie, but I just clapped at the ending. And not because it was over, but because I was laughing hysterically.

This movie raised a lot of questions for me:

Why was it not a bigger deal that when Tira (Mae West) was caught entertaining a rich man, her jealous co-worker showed up, hit the guy over the head, and the two of them left the man for dead in the hallway? It seems this was just a minor little mishap that created a need for Tira to make some more money.

"I think he's croaked."

"Where am I gonna put a stiff in this joint?"

"Put him out in the hall."

What did Tira's fortune teller think of her plan to make more money in the circus (she's in the circus!) by sticking her head in the lion's mouth during her lion act? She carries around an astrology booklet and seems to read it every morning, yet the new act seemed pretty impulsive.

"I'll even stick my head in the big cat's mouth!"

"Say, if them lions don't show some sense, I'm goin' down there and bite her myself."

Was Mae West really sticking her head in a lion's mouth? It sure looked like it. Where did the movie studio get all of those lions? And why can't I find a picture of them?

Why does Mae West include "Mmm-mm" at the end of almost everything she says? Character or actress? I suppose it goes well with phrases such as:

"When I was born with this face, it was the same as striking oil."

"Crazy for me, the guy's a pushover for me."

"I'll tell you this much. You're gonna like what I have in mind."

It also does go quite well with spritzing perfume all over one's self while singing, "No One Loves Me Like That Dallas Man..."

When on earth did Jack Clayton (Cary Grant) fall in love with Tira, and how did I miss it?

Jack arrived 49 minutes into the movie, and then 1 minute later they were talking marriage. The entirely unbelievable romance makes it impossible for me to give this movie more than one star, no matter how many ridiculous scenes made me laugh. The unbelievable romance and the cringe-inducing scenes with her black maids, that is.

Very important question: If David had been watching the final court scenes of the movie, in which Mae West saunters around the court room "Mmm-mm-ing" and cross-examining witnesses, would it have been more useful than the studying he was doing on his own for the bar?

And why did I not wear a crown at my wedding?

I will only see this movie again if Amy watches it with me. I'm not sure I would laugh as much seeing it a second time alone. Story and screenplay by Mae West.

Indiscreet (1958)

Cary Grant... Ingrid Bergman... "romantic comedy." Sounds like what I need right now. All in all, it was silly and not the best work by either of them, but it turned out to be an entertaining movie to watch while packing and doing school work. Really, the last part of the movie is where most of the comedy enters the picture. I chuckled at the ending line.

Anna Kalman (Bergman) has given up on finding the right man. Her most recent find, "the one who looked like a Greek statue," has turned out to be rather silly. Or in Anna's words, "He talked like a Greek statue. I don't think he knew more than a dozen words." Anna's sister doesn't seem to have a very good opinion of men herself, telling Anna, "I don't know what you expect from a man. You know there's a limit to how entertaining they can be." But Anna believes "they ought to be able to talk a little, simple sentences."

And then Philip (Grant) enters the room, and it's love at first sight for Anna. Philip is dashing, speaks clearly and intelligently about monetary policy while wearing enormous glasses, and is an excellent dinner date. Unfortunately, after their first dinner together, Philip admits, "I'm a married man, Miss Kalman." And thus begins the tortured staring at each other set to music, the long phone calls, and the secret dinners and late night drinks.

But, spoiler:

Philip, it turns out, has developed an insane way of dating without raising any expectations. "I don't care to be married," he says. "On the other hand, I have no intention of giving up women." Anna has found herself a catch. Hilarity and revenge ensue.

Two stars. If it weren't for the fact I own this movie as part of a box set, I probably wouldn't be tempted to see it again. For great Grant and Bergman, watch Notorious.

The Philadelphia Story (1940)

"Oh Dexter, I'll be yar now... I promise I'll be yar." And with statement, the independent, smart, and funny Tracy Lord (played by Katherine Hepburn) gives in to her ex-husband (Cary Grant) and admits that women should be sweet and manageable and that she has been wrong to be so strong in the past. Warning: Although I do love some things about this movie, I'm not feeling very generous toward it at the moment. I forgot between viewings just how many painfully obnoxious moments there are.

The movie begins with Tracy preparing for her marriage to a second husband. The first marriage, we learn, ended because of Dex's (Grant's) drinking problem. A paper wants to do a story on the wedding (Tracy is high society), but Tracy is too private to allow photos. The paper's head honcho happens to have a story on Tracy's dad, who happens to be having an affair. He blackmails Dex into bringing a reporter and a photographer into Tracy's family home, promising to sit on the story on Mr. Lord as long as there's a story on the wedding. James Stewart plays the wonderfully sarcastic reporter who falls for Tracy. Much hilarity ensues, involving swimming, champagne, crooning, and huge hangovers.
My problem with the plot, is that we are later shown that Dex's drinking wasn't really the worst of things in Dex and Tracy's marriage. The worst of things was that Tracy was a "distant goddess," unable to accept frailty in others or to offer womanly warmth and support. First Dex tells Tracy this. Then James Stewart makes some statements confirming it...only he doesn't mind. He's new enough to like putting her up on a pedestal as a "queen." Then... final straw... Tracy's somewhat-estranged father returns from his affair with a young dancer in NYC and essentially blames Tracy for the fact that he had an affair.

And here it is, the most annoying part of the movie:

Mr. Lord: What most wives fail to realize is that their husband's philandering has nothing whatsoever to do with them.

Tracy: Oh? Then what has it to do with?

Mr. Lord: A reluctance to grow old, I think. I suppose the best mainstay a man can have as he gets along in years is a daughter - the right kind of daughter.

And then he goes on to explain. You see, Mr. Lord just needed a way to hold on to some of his youth, but instead of being blessed with a sweet young daughter to help him, he ended up with a harsh, shall we say "shrew," of a daughter who had a "prejudice against weakness." Seems she didn't like putting up with a constantly drunk husband or a dad who was off very publicly cheating on her mom.

Another way of looking at this movie is that it is in the "divorced, but will they find their way back together?" category of films. Cary Grant seems to be in a bunch of these. I believe the lesson in this film is that if you let yourself be tamed, yes, you can have a second chance. Despite my rants, I'm still giving this three stars, because the acting was fantastic, and I'm willing to put some blame on the time period in which it was made. And Dex does at least tell Tracy, "Be whatever you like, you're my redhead," and he has given up his drinking when he returns. Anyways, I know I'll see this and rant and laugh many more times.

P.S. - Something enjoyable that does not come with a rant:

With 12 movies on this blog already tagged with "odd precocious little girl," I can't believe one of them was not this movie. Virginia Weidler, as usual, plays the perfect "odd precocious little girl," from her early comment about the papers being "full of innundo" to her dramatic interpretation of a spoiled little rich girl, when she and Tracy try to mess with the reporters sent to do the story on Tracy's wedding.

And of course there's her comment about the fancy dress she wears to the wedding...

Mrs. Lord: I think that dress hikes up a little behind.

Dinah: No... I do.

I am a huge fan of Virginia Weidler.

To Catch a Thief (1955)

Every once in a while it's nice just to watch a movie I already know I like. Enter To Catch a Thief, a Hitchcock film with great acting, great dialogue, and fascinating wardrobe choices. And of course Cary Grant is Cary Grant, looking suave even in a crazy red with white polka dots silk scarf wrapped around his neck.

But of course he is suave, not only is he Cary Grant, he is playing John Robie, a former jewel thief turned hero of the French resistance. Robie comes under suspicion after a string of jewel thefts, all bearing his famous mark. With the police on his tail, he escapes by boat to Cannes, where he makes his first costume change. And yes, he continues to look suave floating to shore in his new plaid bathing trunks.

A worried jewelry insurance agent convinces Robie to try to clear his own name by catching the copycat burglar. Robie is equipped with a list of the insured and any personal details that could help him to keep a good watch on then, prompting the well delivered, "I wish I'd known someone in the insurance racket when I went into the burglary business." Robie quickly settles into the Ritz Carlton Hotel under a fake name in order to befriend and keep an eye on the heavily jeweled Jessie Stevens. And there he meets her daughter Frances, played by Grace Kelly. Grace Kelly's dresses are honestly reason enough to watch this movie. Leaving aside whether or not I could pull any of them off, I want them. Especially this one:

In fact, the only outfit of hers in which I have no interest is the "bathing costume" below:

Robie is not put off by the bathing costume, though. What puts him off about Frances Stevens is when she reveals that not only does she know he's really Robie "the cat," but she believes he is in fact guilty of the current crime spree and... wants to join him. Robie just isn't interested in "women who need weird excitement."

Cary Grant climbing around on rooftops, Grace Kelly's dresses, a Hitchcock mystery to solve...I love this movie.

One more great line I couldn't work in above...

Jesse about her daughter Frances: "Sorry I ever sent her to that finishing school. I think they finished her there." Four stars, and I will definitely watch this again.

Monkey Business (1952)

Despite what the box might make you think, this movie is not about Marilyn Monroe's character at all. This is a movie about Barnaby (Cary Grant), who thinks he has created some magical formula that makes you act and feel much younger than you are, and his wife Edwina (Ginger Rogers). Marilyn Monroe plays a secretary at the chemical lab where Barnaby works, and she goes along with him on his day of feeling 20. They roller skate, go to the pool, crash a car... But Cary Grant and Ginger Rogers are the fun parts of this not-so-wonderful movie.

If I could ignore the fact that the plot is touched off by a chimpanzee getting loose, accidentally creating a brilliant chemical formula, and then dumping the formula in the water cooler so it can begin to confuse and alter everyone, I could concentrate on the fact that I would like to see more of Cary Grant and Ginger Rogers. "Tell me, is anyone giving a party tonight we can stay home from?" Grant and Rogers have some good lines together. And she dances, and he even does a cartwheel. And he sings. Just leave out the chimps, and put them in a different movie together. Two stars, because this movie was so much better than Thank Your Lucky Stars, which I also just wrote about, but I am ready to search out other Grant/Rogers films.

Alice in Wonderland (1933)

It is a good thing that the 1933 "live action" movie of Alice in Wonderland opens with paired photographs of the characters and the actors who play them. With all of those masks, how would we ever find Cary Grant, Gary Cooper, and the others?

This is a movie to watch. If you love Alice in Wonderland, watch it. If you are entertained by your favorite actors doing unusual things, watch it. I fall into both categories, and I will admit to watching it mostly for Cary Grant. I am still a far way off from my goal of seeing all of his films.

In this adaptation, Alice takes a nap on a snowy day and wakes up to climb through a looking glass into Looking Glass Land, where we get to see so much perfect Alice:

*Alice is declared to be a volcano when she picks up some chess pieces to move them in an attempt to be helpful.

*"Goodbye dear feet."

*A terrific conversation with Caterpillar, Ed Sparks

*Edward Everett Horton (who I am coming to know as one of my favorite character actors) as the Mad Hatter:

*And Gary Cooper as a charming White Knight, possibly my favorite character (and Alice's) in this adaptation

*And the reason for my watching this movie: "Or shall the mock turtle sing?"

Oh, please!

Four stars for a great story (of course), fun costumes, and actors who seem to be enjoying themselves in their silly costumes. I hope to see this again.

On a side note, I've been thinking a lot about Cary Grant singing. His characters sometimes sing in the shower (Mr. Blandings, Charade, North by Northwest)... now he sings a very silly song as the Mock Turtle in Alice in Wonderland. Aside from Kiss and Make Up, is his singing always meant to be comedic? Then I found this while searching for Alice photos:

Cary Grant sings FCC Regulations ("Dinosaur Gardens" blog, 2006) Oh, fun!

Kiss and Make Up (1934)

Oh no no no! Not a good Cary Grant movie!

Cary Grant plays the dashing Dr. Lamar of the famous Dr. Lamar's Temple of Beauty. Having given up his scientific ideals after medical school, Dr. Lamar is a cosmetic surgeon and beauty specialist who promises to help all women achieve "the pink and white complexion that is every woman's birthright." Should I mention that these words are spoken as we watch a black African woman and her two daughters sitting on the floor of their tropical home and rubbing Dr. Lamar's suggested face cream all over their faces?

Of course all of the women in Dr. Lamar's life are desperately in love with him, from patients to secretary Annie, played by Helen Mack. One woman who is in the office to inquire about a procedure for her mother even strips down to her slip when asked before admitting that she is not in fact a patient. Dr. Lamar's beauty ideals and the female "masterpieces" that he has created around him blind him to the beauty of "normal" women such as Annie. Annie can't be bothered to powder her nose, and she is actually capable of getting dressed in 15 minutes, "zippers permitting."

Dr. Lamar's real trouble begins when he falls for a married patient. Mrs. Caron has been visiting him for a very long time, much to the displeasure of Mr. Caron (Edward Everett Horton). Mr. Caron is horrified by the transformation his wife has undergone and threatens, "Doctor, put my wife back the way she was when I married her, or I'll take steps." Mr. Caron does not want his wife back the way she was because of his great love for her, though. He finds her to be too high maintenance now and is also adamant that a beautiful wife will be surrounded by lovers. "Do you realize what the husband of a woman like that is up against?" At first Dr. Lamar resists all of Mrs. Caron's advances (because of course the woman is trying to trap the poor innocent man).
"Are you so professional with all your patients?"
"No."
"Then why am I so...honored?"
But when Mr. Caron finally divorces his wife, Dr. Lamar very quickly marries her, "his masterpiece." For some reason Annie remains enamored with Dr. Lamar through all of this, even when he ditches her in his apartment, where she is taking dictation for his book, to run off to meet his gorgeous former patient Mrs. Caron.

Dr. Lamar and his new wife go off on their honeymoon, bringing Annie along so that she can continue to take dictation for the book. Of course Mr. Caron is also at the honeymoon resort celebrating his new freedom. Who does he fall for? Annie.
Possible best exchange of the movie, after Annie meets Mr. Caron while swimming...
Dr. Lamar: You allow men to pick you up in the water?
Annie: Why not? I weigh less there.

Of course Dr. Lamar realizes that he cannot make it to dinner on time with a wife who needs so much primping time. And of course he is horrified by the tasteless food she eats. And of course he is disgusted when he sees her in her face mask at night. I'm sure you can guess the ending of the movie. But do you know what funny animal is featured in the unnecessary high speed car chase leading to the end? Watch if you want to find out. (Or read the labels at the bottom of this post...)

One star. I may someday end up seeing it again, though, because of the fact that I own it in a box set. A previously unmentioned reason to maybe see this movie is that there are a few songs involved. Less of a draw is the ode to corn beef and cabbage sung by Annie and Mr. Caron. More of a draw is the song that Cary Grant sings twice about "Love Divided by Two."

Thirty Day Princess (1934)

Oy. One star. My knitting project helped me to survive the movie. I'm not sure I could survive seeing this again, even though I own it.

What to say? A rich business man visiting the tiny country of Taronia befriends the king and learns that the country is much in need of money. He brings Princess Catterina (Sylvia Sydney) back with him to help interest Americans in the plight of Taronia so that they will buy bonds to fund improvements in the country. Sadly, Princess Catterina comes down with the mumps right after arriving. Is the money-raising scheme doomed to end before it has even begun? No! The business man has the brilliant idea to find a look-alike, a "thirty day princess" to play the part until the real princess can get back out of bed. Nancy Lane (also Sylvia Sydney, of course) is discovered in an automat stealing food. It turns out she is an out-of-work actress desperate for any job. Nancy's first job as the princess is to seduce the grumpy newspaper man Porter Madison III (Cary Grant), who has been publishing nasty articles about his theory that the Taronian bonds are a scam. What happens next is too easy...

Here it is, the moment when Porter Madison III falls in love with Nancy Lane (in her princess disguise):
He cannot resist her playful tossing of the expensive crystal wine glasses as she makes toast after toast to her ancestors.

After this, the country is in love with the fake princess, Porter Madison III is in love with the princess... all goes along swimmingly until the real princess's dolt of a fiance shows up. Two more men who have become convinced that the Taronian bonds are a scam discover that there is in fact a missing New Yorker who looks a whole lot like the princess, and who better than the princess's silly fiance to help them uncover what is really going on?

Will Porter Madison III still love the princess when she is no longer the princess? Will Taronia get its much needed money? I bet you know the answers.

The Wedding Present (1936)

So, Richard Wallace creates a film in which Cary Grant and Joan Bennett are witty newspaper reporters in love who just can't seem to end up together. Then four years later Howard Hawks makes a film in which Cary Grant and Rosalind Russell are two witty, divorced-from-each-other newspaper reporters who just can't seem to end up back together. Hmmm. Very popular theme of the time?

In this one, Charlie (Cary Grant) and Rusty (Joan Bennett) work on the paper together and are "almost married." After a botched attempt to get a marriage license, Rusty declares that it was silly of them to try, and they should just stay in their happy "almost married" state. Not even a night spent carousing with a silly archduke, about whom they want to write a story, can convince Rusty that really they should just break down and try to get married again. Not even when the archduke tells them, "Oh, but [marriage] is a divine madness."

So on they go with their lives as flirting reporters until Rusty is granted a month's vacation. While she is in New York trying to make Charlie jealous, Charlie gets a surprise promotion to editor. Rusty returns to find him no longer his old fun-loving self. She thinks up a giant prank to help him get his sense of humor back, but ends up getting herself fired.

Rusty meets a new man on her way to New York to find a new job and soon finds herself engaged. What will Charlie do? Why, travel to New York to give her the best wedding present ever (involving fire trucks, ambulances, police sirens...).

No, the wedding movies are not my new theme (did you notice I watched Night of the Living Dead?), but maybe I can gleam some tips from all of these wedding-related movies... In any case, I would see this again (and probably will since David got me a box set that contains it). Probably just two stars from me, though: Fun and silly, but also dopey and silly if I'm thinking seriously about it, and it's definitely not as brilliant as its witty newspaper movie rival.

The Grass is Greener (1960)

Oh, Cary Grant. Here he is, Victor, an English lord, living in a castle with his wife Hillary (Deborah Kerr). They have opened up their castle for tours in order to raise some money. When the rich American Charles (Robert Mitchum) wanders into the couple's private rooms, he says many creepy personal things to Hillary, causing her to fall immediately and inexplicably in love with him. An affair begins. Victor, well aware of his wife's feelings, encourages Hillary to go off to London where Charles is. Victor believes the only way for him to get Hillary back is to let her have her fling and then realize where her heart belongs.

The movie is full of infidelity and calm, lordly conversations. When Victor invites Charles to come and stay at the castle after Hillary's week long London trip draws to a close, Hillary and Charles quickly realize that Victor knows all. And that he knows that they know that he knows... Needless to say, hilarity ensues.

Two stars, because who doesn't love a good duel?

And because I own it... I will mostly likely see it again. The goal is to someday own all the Cary Grant movies I can get my hands on, whether I love them or hate them. According to carygrant.net there are at least 72.

She Done Him Wrong (1933)

When we first meet Lou (Mae West) she is wearing a hat that looks like a giant Wooly Bear caterpillar. She is crass, she likes to invite men to "come up and see me anytime," and all the men want her. And she gives people the scariest looks.

This movie has it all: a saloon, an omnibus, giant hats, puffy petticoats, a whole lot of crooks, a very young Cary Grant with lots of eye make-up, and hard to understand accents. Lou sings in a saloon. She's having an affair with the owner, but Chick, a dangerous crook in prison, thinks she's waiting for him. Lou seems vaguely interested in every man who crosses her path, but she is becoming especially interested in Captain Cummings (CG), the mission director from next door. He's a different sort of man. Why he has any interest in Lou is more confusing. But he does.

When Chick breaks out of prison we get to worry momentarily about who Chick will knock off for revenge.   And we also wonder what has happened to the sweet young woman who tried to kill herself in the saloon because of a failed love affair. Last time we saw her the lady crook Rita was asking her, "Can you sing and dance? Have you ever heard of the Barbary Coast?" And who and where is the Hawk, a new detective in town everyone is worried about? And what do these crooks do? After 49 minutes I still wasn't sure what they were all trying to pull off. Lucky for me, someone else had more of an attention span for this movie and was able to decipher the intricacies of the plot:
http://www.doctormacro1.info/Movie%20Summaries/S/She%20Done%20Him%20Wrong.htm

Anyways, once I understood the plot points I'd missed, I was able to enjoy it when Rita caught her man assistant giving her diamond brooch to Lou and declaring his love...
...leading to more drama.

But do I really believe a Cary Grant character would fall for a Mae West character? Sorry. One star for brave hat wearing and drama. But I don't think I can give more stars to a movie that couldn't hold my attention or belief. Sorry again.

The Bishop's Wife (1947)

Cary Grant can skate! (says Jessica)

Cary Grant can skate, but when he does, he shrinks by three feet. (says David)

But still, Cary Grant is perfect.  And he is a real angel.

This is possibly the definition of a feel good movie.  A bishop is busy trying to get the money to build a new cathedral and is ignoring his wife and daughter.  In swoops an angel to subtly help him see what is really important in his life.  Yes there is some drama, and there is some conflict.  There is even some relationship sketchiness, but there is never any doubt in your mind that all that happens is for the good of the characters and will lead to immense happiness.  Three stars, and I will see this again some other Christmas.

Wings in the Dark (1935)

Favorite actor... favorite actress... yet another movie I had a hard time paying attention to without rolling my eyes.

Myrna Loy plays a stunt pilot.  Cary Grant plays a daring pilot who wants to be one of the first pilots to fly blind (the first?  I can't remember!)  Of course Loy has long admired Grant before she even gets to meet him.  And of course Grant is blinded by a freak accident with a stove.    What will become of Grant's budding relationship with Loy?  What will become of his ambitious plan to... fly blind?

Devastated Grant secludes himself in a cabin in the woods until Loy and a helper sneak up on him and make him accept a seeing eye dog into his life.  Before the dog he has to wander around with his arms outstretched.  More touching scenes and tragedy ensue.
One star for the seeing eye dog.

The Pride and the Passion (1957)

Oh my schlocky goodness! If you are in the mood for some unbridled sentamentality about the heroism of a bloody resistance to occupation, this is your movie.

I was kind of avoiding this one. We now know that Cary Grant was so smitten with Sophia Loren that he would make just about any movie that cast him opposite her. In this movie she plays a Spanish peasant, Frank Sinatra plays a Spanish peasant, and Cary Grant plays a British naval captain - guess whose accent is the worst? I'll give joo wan gayce. Sinatra's accent begs the question - why do Americans playing people who wouldn't speak English have to speak with accents? In the beginning of the film, CG's character declares that the British sent him on this mission because he speaks Spanish and knows guns. Most of the Spaniards he spends the movie talking to are supposed to be peasants so we'll assume they don't speak English and the dialogue is kind of imagined to be translated from Spanish. So why does Sinatra have to speak heavily accented English? Why can't he speak like an American?

The movie is not quite as bad as Sinatra's accent, though. Mainly it concerns this giant gun, a cannon that is supposed to be 42 feet long and fire 96-pound cannonballs. It's kind of a cool concept - the gun was the pride of the Spanish army, but they are forced to abandon it during their retreat after being beaten by Napoleon. The Spanish resistance, with a little help from CG, who has been sent to retrieve the gun for Britain, decide to salvage it and try to move it to Avila, where the French have their headquarters in Spain, and attack the fortified city.

There are some great scenes involving the gun, those were my favorites. It's just huge and watching them figure out how to move it without alerting the French to its location is entertaining. It follows a good principle: you give your characters a clear goal and obstacles and you watch their character emerge as they problem-solve. And it works.

There is a love triangle: CG and FS both are in love with SL and she plays them both to get them to keep working on the project together when really they want to get into a fist fight over her. And there is resistance drama: FS rousing the peasants to do battle, FS authorizing his troops to steal from said peasants, and a couple of good scenes dealing with the finer points of guerilla warfare.

I would say it's actually not a horrible script, it's definitely a good story, but Sinatra's accent and to a lesser extent Sophia's accent and the little melodramatic touches get in the way. Also it's too long! 2:15!

Two stars for the story and the spectacular scenes with the gun. I'm going to try to forget Sinatra's accent. Will not watch again.

Mr. Blandings Builds His Dream House (1948)

Why not "The Blandings Build Their Dream House?"

Jim and Muriel Blandings (Cary Grant and Myrna Loy) and their two daughters (one precocious) start out the movie living in a cramped little apartment in New York. Muriel has secret grand plans to knock down walls and transform their apartment. Jim would love a closet that holds all his things and then closes.

When Jim comes across a real estate ad for a house in the country, he and Muriel instantly fall in love with the place and buy it, only to learn that it will need to be entirely knocked down and rebuilt. They spend most of the movie driving their architect crazy with elaborate plans for too many bathrooms and closets and all of the things they never would have dreamed of having in the city. And, the house is just as much Muriel's dream as it is Jim's!!! So, I repeat, why not "The Blandings Build Their Dream House?"


There is more to the plot than this, but mostly during the movie (one star, not going to watch again), I entertained myself by going off on tangents:

*separate beds for married couples... just in the movies?   See The Motion Picture Production Code of 1930, including the clause "IX. Locations. The treatment of bedrooms must be governed by good taste and delicacy." http://www.artsreformation.com/a001/hays-code.html

*I suppose I can relate to some of this... After all, doesn't my dream house/apartment contain a giant walk-in closet in which I can obsessively organize my clothes, shoes, and bags and archive my grandmother's clothes and shoes and bags?  Maybe Muriel and my uncle could team together to design my closets...

*Cary Grant shower scenes... In this movie he sings "Home on the Range." In "Charade" he seems to be humming "Singin' in the Rain" while he showers in his clothes. I'm pretty sure he was also humming "Singin' in the Rain" when he pretended to take a shower in "North by Northwest." Fascinating. I am quite the Cary Grant character historian...  When I explained this exciting discovery to my friend Barbara she said, "So this is the only movie where he takes an actual naked shower."

*wow, I've seen enough classic movies to know things about the 30s and 40s... Without having seen "The Women," I never would have gotten the joke, "When I came in here this morning, I had no intention of sending you two to Reno."

*Hey, there is a good quote in this movie... Muriel on why she fell for Jim: "Maybe it was those big cow eyes of yours or that ridiculous hole in your chin."

*When will this movie end?

North by Northwest (1959)

I expected to have respect for this film, to believe that it was a great, well-made film. I did not expect to enjoy it.


I just don't enjoy suspense. I'm tortured by it. And Hitchcock does suspense so WELL that I really almost HATE his films. Even though I really really respect what he's doing, it makes me miserable. So it was a complete surprise to find this film so funny, intriguing, even romantic.

Cary Grant plays a mild-mannered advertising executive who forgets about his mother's bridge game and that one mistake leads him into a plot he has nothing to do with...it's the kind of movie I hate, because the poor guy just keeps getting himself in deeper and deeper and you're yelling at the screen and hitting your forehead with your palm - but, I am here to tell you - I LOVE this movie!

And what is there not to love about lines like this?

"I'm an advertising man not a red herring. I've got a job a secretary a mother two ex wives and several bartenders dependent on me and I don't intend to disappoint them all by getting myself slightly killed!"

It's very funny for a suspense movie. And Cary Grant pratfalls his way through it almost as though it was a screwball comedy.

Also, even though I didn't really follow the plot (I was making french toast for the first half and went upstairs to get my house key back from a neighbor for part of the middle), I loved the plot twists.

I think that helped a little, too - being gone for a while. This IS a long movie with a lot of plot twists - I had always assumed that this scene:

was the climax of the movie. So I was very surprised to find out that we were only halfway through the movie when we got there and we still don't really know WHO is behind the plot to kill the main character - argh! But if you don't spend too much time trying to talk Cary Grant to his senses.

Instead, enjoy the great costumes. You always know they are great costumes when you find yourself thinking "where can I get a blouse like that?" And starting an internet search for a billowy white blouse with three-quarter-length sleeves.

Also elucidates the usefulness of monograms and demonstrates how to mountain-climb in heels. Although I think stilettos might be preferable to wooden heels from what I can tell. Also, it's kind of like the first "National Treasure" movie, in a way, since you have to visit national monuments in order to progress in the story.

Need I say more? Four stars, will definitely watch again.

Penny Serenade (1941)

Four stars, and I'm not sure if I can see it again. At least not for a while. It is just too sad.



I really liked the way the movie was set up. Julie (Irene Dunne) is about to walk away from her failing marriage to Roger (Cary Grant). She picks up an album they have made of records that have been meaningful through the years and begins to play the first one... It's the song that was playing the day they met. Julie was working in the listening booth at a record store. After seeing her through the window, Roger came in and picked out a giant stack of records for her to play for him in the booth. He ended up buying most of them (even though he doesn't own a phonograph) and walked her home. Their meeting is possibly the definition of a meet cute. Most of the movie is told through flash backs like this one... Julie puts a new record on the phonograph, and we flash back to another scene from their relationship as they date, get married, move to Japan, get pregnant, have a miscarriage in an earthquake, buy a struggling little newspaper back in the states, finally adopt a baby, almost have to give the baby up...



The fact that I sometimes wonder if I'm living my life to a soundtrack made me really excited about the concept of this film, and of course Cary Grant and Irene Dunne continue to be amazing together, but - WARNING - The adoption is NOT the happy ending you would like it to be! I think it is important to know this before watching the movie. If I hadn't read the synopsis carefully and known where things were heading, I would not have survived the movie.

Notorious (1946)

I have watched and re-watched so many Hitchcock movies, and it just occurred to me that I have never once spotted Hitchcock doing one of his cameos, aside from after the movie if there's a DVD feature that shows it to me. I'm going to choose to believe that this is because I am so involved in the plots of the movies and not that I am completely unobservant. Anyways, I've been meaning to see this one since "Suspicion," because I had parts of the plots confused.

Notorious: Ingrid Bergman plays Alicia, the daughter of a Nazi spy who killed himself in prison. Cary Grant plays an American agent, Devlin, who recruits Alicia to spy on her father's former friends. He brings her to Rio de Janeiro, where she is expected to infiltrate a group of German scientists. When Alicia and Devlin first arrive in Rio, they don't know the full details of Alicia's assignment. As they wait for their orders, Alicia falls in love with Devlin, and Devlin does his best to pretend that he has not fallen for her. Devlin finally receives word that the assignment calls for Alicia to seduce a former friend of her father's who was once in love with her, Alexander Sebastian ("...Claude Rains was the invisible man..."!). He is horrified and tries but fails to tell the other American agents that it is not a job Alicia should be made to do. He returns to Alicia's apartment (where she has been preparing a lovely romantic dinner for him), and tells her the assignment. Alica is just as horrified as Devlin and is upset by the seemingly emotionless way in which Devlin tells her about it. All she wants is for Devlin to admit that he loves her and does not want her to take the assignment. Devlin is unable to do this and doesn't even tell her that he tried to get her out of it. This all leads to Alicia's wonderfully delivered line, "Oh, we shouldn't have had this out here. It's all cold now." Alicia is reintroduced to Sebastian, very quickly marries him, and begins to feed Devlin information about the scientists who meet frequently at the house. Unfortunately for Alicia, Sebastian discovers her treachery, putting her into even greater danger. I will not give the ending away. Just know that Cary Grant is wonderful.



I realized that while I watch Cary Grant movies, I am always evaluating which Cary Grant characters I would run away with. Devlin, I think, is not quite right for me. It would be too tortured what with neither of us giving away our feelings. I remain most likely to run off with Johnny Case from "Holiday." Four stars for this movie... I am sure I will see it again someday. Time to see "Holiday" again!

Operation Petticoat (1959)

Cary Grant just keeps working!



Here he is in 1959 playing the captain of a submarine in a tough spot. I'm a little hazy on the details, but somehow this luckless submarine has never seen a battle and yet has too many mechanical problems to be approved to go back into action. Nevertheless, they need to get it under way.

There is a lot of comedy at the expense of the way the Navy runs things. All about requisitioning toilet paper and the black market for parts and supplies. Tony Curtis plays the man adept at working back channels to get things.

The sub ends up taking off without it's proper top coat of paint, so it's pink. Then Tony Curtis convinces the captain to take some WAC nurses on board for the ride. And - you guessed it! - hilarity ensues.

There is a lot of entertainment in young Tony Curtis and mature Cary Grant playing off each other. There is plenty of sexism (and racism where the islanders of the South Pacific are concerned) to go around and the whole movie just gets very silly when they go into battle with the women aboard.

However, there are redeeming points including:

- A scene in which Cary Grant demands Tony Curtis give up his tight white tennis shorts for regular army gear.
- A female engineer teaching a male engineer a thing or two.
- An indescribible scene with a pig being passed off as a soldier.

Two stars - and yet it is a MUST watch.