Mr. & Mrs. Smith (1941)

A Hitchcock slapstick comedy... fascinating. Hitchcock's only comedy... I can kind of see why. Having said that, the movie wasn't un-funny, it just didn't live up to my slapstick expectations. It kept falling short. Carole Lombard is fantastic with slapstick (Nothing Sacred), but there wasn't enough for her to do here.

When we meet Mr. and Mrs. Smith (Carole Lombard and Robert Montgomery) they are holed up in their bedroom. One of the rules of their marriage is, "You are not allowed to leave the bedroom after a quarrel unless you've made up," and they had a fight two days ago. While the help watches for them to emerge and Mr. Smith's law firm panics over his absence, Mr. and Mrs. Smith finally reconcile, agreeing that their rules for marriage have once again helped them to trust and love each other. Before Mr. Smith leaves for work, though, Mrs. Smith reminds them of their "no lying" rule, and asks Mr. Smith to honestly tell her whether he would marry her all over again. Mr. Smith very naively answers that although he loves her, if he had it to do all over again, he would hold onto the single life. Oops.

Upon arriving at work, Mr. Smith is then visited by a lawyer come to tell him that, guess what, his marriage license isn't valid. It turns out all people who got married in 1937 in Nevada with an Idaho license are not really married and that "it'd be better if everybody kind of got married again...to be on the safe side." Oops again. Mr. Smith is kind of excited about the idea of dating his wife again and doesn't seem to plan to tell her right away. The lawyer happens to be a family friend of his wife, though, and stops by to see her next. Mrs. Smith's mother is horrified, demanding that her daughter not spend another night with her husband until things are righted. Mrs. Smith is convinced that, despite the morning conversation, of course her "husband" will whisk her off to City Hall that very night after dinner. Otherwise: scandal.

But, the dinner doesn't live up to expectations, and there is no proposal. Instead, Mr. Smith tries to lure his "wife" into the bedroom. Horror! Mrs. Smith tells him what she knows and accuses him of having tried to use her "and then throw me away like a squeezed lemon." Mr. Smith is banished to a room at the men's club, and Mrs. Smith decides that maybe she would like to date other men. Mr. Smith spends the rest of the movie trying to win his wife back. At one point he even tells her, "From now on we're just friends." Her response:"Not necessary."

The favorite scene for both me and David involved Mr. Smith pretending to be deep in conversation with a pretty lady seated near him in a restaurant. Not only is his wife not jealous, but the pretty lady eventually turns around and notices the creep pretending to whisper in her ear. The scene below was pretty funny, too:
So all in all, only two stars, but I would probably watch this again, and I think all Hitchcock fans should be aware of his venture into slapstick.

Swing Time (1936)

To cuff or not to cuff? Another silly, but fun, film. I found it was best not to think too much about the plot.

Lucky (Fred Astaire) is about to get married, but his band members are concerned marriage will get in the way of the band's future. The film opens with Lucky's band members very skillfully tricking him out of getting to his wedding on time just by drawing cuffs onto the pant legs of a man in a magazine and telling Lucky that cuffed pants are in. Lucky has to go off and get his pants cuffed (minutes before the wedding, we are led to believe), discovers his pants are un-cuffable, and misses his wedding. He is then told that he has to raise a whole lot of money before he can be allowed to try to marry his spurned fiance again. So Lucky goes off to New York with the band to play and gamble, and he meets Penny (Ginger Rogers).

Penny is a dance instructor and wants nothing to do with Lucky after he annoys her on the street. Lucky pretends to need dance lessons, though, messes with her for a while, and then before you know it, they are an amazing team.

Lucky starts to think that maybe he doesn't want to raise all that money to marry his old fiance. I appreciated that Astaire and Rogers sang and danced to "A Fine Romance," a song that I love, during a snowy getaway together. Not the most exciting dance ever, but fun. And they got to wear fantastic hats.
Then suddenly, over an hour into the film, blackface? Why? Apparently the scene is some loved tribute to Mr. Bojangles, and we're supposed to be really excited that Astaire can dance with shadow selves. Hmmm... It's just always a bit hard to forgive these moments. I know the film is old, but people still could have had more sense.

Fun film, but two stars. Not my favorite Astaire and Rogers plot.

Follow the Fleet (1936)

Oh, I hope I never run out of Fred Astaire & Ginger Rogers movies. In this movie they play Bake and Sherry. Bake is in the Navy, Sherry is a dancer who once rejected Bake's marriage proposal. When Bake comes into town on shore leave, he runs into Sherry, and they both rethink their separation. Bake messes up Sherry's very important audition, though, and all bets are off. How do you say sorry? Give someone a monkey and screw with their next big audition, not necessarily in that order.
There was also a bizarre side-story involving Bake's friend Bilge, played by Randolph Scott. After having one great date with Sherry's sister Connie, he felt that he was still free to play the field, and she felt that they had made an amazing connection and were getting married. Bilge's thoughts on Connie's thoughts? "She's a swell kid, but she's serious... She's sappy like you [Bake] - she wants to get married." And oddly none of Connie's friends told her that she was being a bit silly fixing up her father's giant boat just for Bilge and waiting for his proposal after just one date. There wasn't even any word from him while he was back at sea, and still she waited. She was told oh, he's just being silly... He'll figure it all out in time. She is told to fight for her man. But she practically imagined him! Nonetheless... do you think she got him in the end?
While watching the movie, my dad was busy looking up information about it. Apparently the dress worn by Ginger Rogers when she and Fred Astaire danced to "Let's Face the Music and Dance" (above) was so heavily weighted that she had to learn how to move while wearing it. And apparently she bonked Fred Astaire in the face. It was weighted so it could then effortlessly do things like this:
...which is of course a very important part of a Ginger Rogers & Fred Astaire movie.

Despite my love of the actors, I really want to give this movie one star. But I'm going to give it two stars due to the scene where they navy guys are all practicing for a benefit show on the ship deck, and some of the men have to be "dames." I really don't want to see it again, though. There were entertaining moments, but I think the whole buzz behind this movie is that it has what is considered to be one of Astaire and Rogers's best dance numbers (with the 25 pound dress). But that was not enough for me. I still love them in general, though!

Where the Boys Are (1960)

Four "co-eds" from a fictional university in the midwest head to Ft. Lauderdale for spring break (which is still called spring vacation in 1960).

Apparently a wild spring break time in 1960 meant crowded beaches, public drunkenness, long discussions about sex while fending off the advances of young men, and limbo.
The four girls rent a hotel room and set about finding boys - all except the one who seems to be named Merritt - although that name seems preposterous - who is brainy and wants to study. But of course she ends up meeting someone, it's a silly teen beach movie!
The girls have the cutest outfits, the cutest lines...
MERRITT: Okay, what happened to you?
MELANIE: I've been dining, I've been dancing, I've been drinking! Shh!
MERRITT: (to Tuggle) Put on some coffee, I'll get her things off.
MELANIE: Mair I've been drinking grasshoppers! Mair have you ever tasted a grasshopper?
MERRITT: Not intentionally, no.
MELANIE: No, Mair no, not a grasshopper that hops, Mair, a grasshopper in a glass that's green!
TUGGLE: You'll be green, too, in the morning.

The upbeat story takes a dark turn towards the end that left me kind of green, myself. I started to give it three stars but I think that having date rape be part of a beach movie - with the message that you'll be ruined for life if you don't stay a virgin till you get a ring - is a little harsh, so I'm deducting a star.

Still, it's an entertaining look at what life might have looked like on the cusp of the sexual revolution when good girls were still supposed to be desperately trying to hold on to old-fashioned values against the turning tide and the evening's entertainment might include a live girl in a fish tank. How's a good girl to compete with a soaking wet dime-store version of Marilyn Munroe?
Two stars - might be persuaded to watch again...

Mame (1958)

Few things to note right off the bat:
- this version is not the musical
- this is going in my top ten - or at least my top fifteen



Rosalind Russell plays Mame, the flamboyant single aunt into whose care Patrick Dennis is deposited after his father's death. Mame knows how to redecorate her large New York City home; Mame knows how to throw a party; Mame knows how to dress (the costumes in this one are a real treat), but what does Mame know about raising a child?

It turns out that Mame's frank manner and doting affection more than make up for her lack of experience. In a series of scenes from Patrick's life, we see him pulled between the staunchly conservative influence of the trustee of his father's estate "Uncle Dwight" and the flaming liberal influence of Mame.

It's a fun and funny series of incidents with lots of colorful characters and one very cute kid. I also loved the funky decor which almost functioned as an extra character. There are two long-suffering servant characters - a Chinese butler/valet and an Irish maid who are ridiculously and endearingly loyal. How they resisted making them sillier and more offensive I'll never know, but they aren't bad.




I am very fond of zany Aunt Mame and her antics. Four stars and I definitely plan to watch again.

The Wings of Eagles (1957)

I could not finish watching this movie about a Navy pilot played by John Wayne. He's a maverick who likes to take risks and drive his wife crazy. There's a lot of stuff about the need to fund the Navy's airplanes and pilots and the politics surrounding that which I didn't care enough about to follow.

I plan to come back and finish it, but I might not. John Wayne is ALWAYS playing John Wayne and I guess I'm not as interested in how the Navy learned to land planes on boats as I thought I might be.
UPDATE: Well I did go back to this and skipped to the end to see what happens. Seems he ends up a big hero (surprise) and retiring with some impressive war wounds. At least I thought they were war wounds until I skipped around and discovered they were caused by a domestic accident. Also his long suffering wife is LONG-suffering.
I guess bio-pics tend to be like this: long and rambling and not making much sense or necessarily paying off the way you think they will.
One star, not planning to watch again.

1776, the Musical (1972)

A musical comedy about the founding of the country? Sign me up for that! At present moment I am watching the decision to debate independence in congress be decided by Rhode Island after returning from the privy.

Ribald jokes, complaints about the plumbing and the flies - this is probably a pretty realistic portrayal of congress, actually. I know history has to be manipulated a little to allow for the right number of characters and things like rhymes in songs - but is that really much worse than the changes that are made in history books?
I was about to say something about this movie making history interesting to young people but since Kimberly just fell asleep I am going to abandon this line of thought.
Two stars for the movie, three stars for making me think about US history on Forth of July weekend.
Will probably try to watch again with the kids next week.

What Ever Happened to Baby Jane? (1962)

I think it's time for me to see a really really old Bette Davis movie. Perhaps one where she's not made up to look like a psychopath or acting the part of a psychopath. Because as good as she is at being a psychopath (and I really think she's one of the best), I think she may have done other work. Or has she?
Anyways, I did have to see this movie. It's well-known, and I hadn't seen it yet. And I did enjoy it. It just makes me wonder what else Bette Davis can do. This film is as creepy as the Baby Jane doll in the above photo. For an even creepier photo, search for color shots of Bette Davis's make-up on the internet. Davis plays an aging child star stuck caring for her crippled former grown-up star sister (Joan Crawford). While Joan Crawford's character is entirely dependent on Baby Jane, she is also more than a little afraid of her and is working hard on a plan to sell the house and move, sending the wacky Baby Jane to a place where she can be cared for.
Unfortunately, Baby Jane is not as dumb as she is insane. When she figures out what her sister is trying to do, she doesn't approve. And people start dying.

Three stars, and I would see it again, mostly to help others experience it.

Seconds (1966)

Oh, creepy creepy movie...
"The Company" secretly and selectively offers people the chance to have a new life by placing them in new and younger bodies. One of many problems is the fact that once you are a part of The Company, you can never get out alive. Arthur is brought to The Company by a friend he had thought was dead, only to be drugged and then shown a video of himself raping a girl while drugged. The Company threatens to release the video should Arthur not go through with the process of being "reborn." Having no choice, Arthur is reborn as Tony (Rock Hudson) and sent off to California to live as a young and already established artist. A body is burned in a hotel room, and Arthur is declared officially dead.

Tony meets a girl, frolics in a "stomping on grapes in a barrel" orgy, and generally enjoys his youth, until he starts to realize the being reborn comes with psychological trauma. He makes a mess of things, drunkenly talking about his former life and even contacting his/ "Arthur's" wife. Eventually Tony wants to start over again, but will he be allowed? Evil laughter here.

I don't know. Two stars again. Very interesting idea, but very silly movie all in all. Will not watch again.

The Shaggy Dog (1959)

The classic Disney tale of a boy changing into a sheepdog and back again at all the wrong times. Boys' dad has always hated dogs, boy wants to get the girl and tries to go to a dance, boy's brother enjoys having a secret new pet, boy would like to know how to break the spell, boy discovers shady plot while in dog form... Hilarity ensues...
Boy feels that when living as a dog, it is still important to continue with normal human hygiene...
Well... maybe because I did not watch this movie more than once as a kid, and I may have been a pretty old kid when that once came around, I'm not feeling very generous with stars. Perhaps two stars, because the special effects must have been exciting to create. I probably won't see this again unless I'm in the presence of little kids who are begging to see it.